Quotes About Human

Every film is a human encounter. It's people trying to collaborate and create something together.

Comparison is a human thing, a normal thing.

Religion leaves no room for human complexity.

I know myself - I cannot just play a cliche. It has to be a character; it has to be written with the complexity of the human being behind. Could be bad, could be good, could be someone we would hate, but still, I need a reason for that influence, and I need to understand why.

Before being a person, man is an animal, with all its reptilian compulsions. And if at some point you block the conscious part of the mind, you've got all the reptilian compulsions that come out.

We believe the future of computing should be natural.

All of my work comes out of a deep concern for human expansion into the landscape.

Fame is not a natural condition for human beings.

I think that maybe human beings are conditioned to violence.

'Rakta Charitra' was more about human conflict than politics.

It's a unique thing, and it's probably the thing I love most about songs and music - their ability to connect in a human way.

There are times when I feel incredibly loved and connected, and times when I feel alone. I think that's natural for all of us.

In my experience, in this industry, the things that have been breakthrough have all been about connecting human beings to each other, communicating with each other.

You don't have to do the picture, you have to do the autograph, but it's important to take that moment to make a human connection.

All I ask is that we compare human consciousness with spirochete ecology.

I want to create a world with objects and surroundings that are human, more romantic, and less sterile.

Players need trust, they are human beings and only in comfortable surroundings will you bring better performances. We try always to create situations where the players feel comfortable.

Nanotechnology in medicine is going to have a major impact on the survival of the human race.

The juke joint, the honky tonk, and the ballroom also represent one more thing, anthropologically speaking: a ceremonial context for the male-with-female-duet dance flirtation and embrace, upon which the zoological survival of the human species has always been predicated.

Love is the substance of human survival.

The stakes in my books tend to be kind of ridiculously high. In 'Kid vs. Squid,' the question is whether or not the California coast will be subsumed by the ocean in favor of the creation of a new Atlantis. In 'The Boy at the End of the World,' what's at stake is the survival of the human species.

Economics has revealed a great truth about the natural law of human interaction: that not only is production essential to man's prosperity and survival, but so also is exchange.

All the great legends are Templates for human behavior. I would define a myth as a story that has survived.

It's a human desire to be scared. On some level, that's how we survived - that sense of fear and danger. Our lives are much safer, so we gravitate to those stories that makes us feel those things and learn lessons, even if it's just, 'What are you doing? Don't go in the basement!'