Quotes About Singing

Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me that are ready to snatch it up.

I'm a writer first and a singer second. And then I started editing my own videos when I was 17, so it's a process I've been doing since I was younger.

I think singing traditional country is wonderful, because I'm bringing it to my generation and to the younger kids.

I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'

I started singing when I was five. I grew up the youngest of four kids who all studied classical piano, so you could say I've been listening to music ever since the moment of conception.

Being the youngest, I was a bit of a daddy's girl and sought attention from an early age by singing. I don't know where I got my voice, but ours was always a musical house.

I realised when I sang at family parties and Christmases I'd suddenly get everyone's attention, and, being the youngest of three, I thought what a brilliant attention-seeking ploy it was.

I'm the youngest of four, and they were all very into sports. I was the first one to express an interest in the arts. I took piano lessons and singing lessons, acting lessons. So it was all new to them, but my parents were great.

I think playback singing has a lot to do with voice acting. I would suggest to all the youngsters to understand the character, situation, and the story behind the songs. That is when you can add soul to the rendition which, I think, is missing in today's music.

I sing when both directors and producers compel me. I'd rather give that opportunity to a gifted newcomer, to whom it makes a huge difference. There are a lot of talented youngsters out there, who can do with such opportunities. Helping them matters to me more than my singing.

I have seen in many cases that the youngsters are told by their friends and family that they sing very well, but that might not be true. When they are told that they have to work hard on their singing, they get disheartened. One must know how to take feedback from different people and work hard on his or her singing to achieve something.

For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume... to do something with your body. When singing in concert, you have to stand up in front of the audience, next to the conductor, which is less natural.

There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.

I think I just get excited by music, and, like, singing is a very physical thing. It releases endorphins in your body. You're using almost muscle in there, and I think that adrenaline really helps to kind of make the songs fresh every time.

My No. 1 piece of advice, especially for someone who's an actor-singer-dancer - a triple threat, they're called! - people say, 'What's the most important?' I always say acting. Without knowing why you're singing or what you're singing about, it's just noise. And without knowing why you're moving your body, it's just flailing of arms.

I still love to walk in the mountains or be on the sea. I like to be in nature. Sometimes I bicycle. It's important to feel good with your body. The body is extremely important. If you feel good, you have more energy in your singing.

When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.

When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.

You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.

When you're insecure about your technique, you close yourself off. Your shoulders tighten. The first thing, you should open your body and sing. Be happy. Sing real vowels, real Italian vowels. When you're learning a good way to sing technically, you find it's very easy to sing well.

When you get to live your dream, with singing and dancing and acting and playing these wonderful stories, you really have already won, and you always have to remember that.

I had a gig in Sweden. There were thousands of people there, and when I launched into 'I'm Yours,' they were all singing along. It was as if I was singing the Swedish national anthem. I was stunned.

Sometimes, if you begin to sing in a halfhearted mood, you can sing yourself up the ladder. Singing will often make the heart rise.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.