Quotes About Singing

There are hundreds of people running around with great voices. If they would study and develop them they could become great singers.

I have had the good fortune of being able to sing with many of the finest voices in the world, and for someone who loves voices as I do, this is an enormous privilege.

Singing in multiple voices, especially Oscar's, can make my vocal chords tired.

When I did 'Opportunity Knocks' at 14, it was singing in other people's voices. So I'm more comfortable doing that.

It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.

Basically, I listen to voices. If they write good songs and they can sing, I'll probably like it.

I grew up teaching parts to choirs, and I love a whole group of voices singing as one.

When I trained with the Japanese team, there we'd be singing Oasis songs at the top of our voices at the top of the jumps. People thought we were daft.

My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.

I was shy: I sang at home but not in public. My dad's side of the family sang, so I would hear their voices and think mine couldn't compare.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

I get my voice from my mother's side of the family. My mother and my grandmother both had strong voices.

I actually started singing in church when I was about five years old. I remember looking at the choirs and just hearing all of those great big beautiful voices. And there was this one woman who could just wail. And I remember trying to sing like her when I was like going home.

There's nothing I love more in the world than layering voices.

When I was 17, my sister and I used to drive back from school in her car and sing the Spice Girls' chartbusters from the '90s at the top of our voices.

I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.

Doing voices is like singing and remembering songs.

We were a great family for singing. There were good voices on both sides and no reluctance to use them.

Everybody has their limitations and hence, we need to look for a range of voices more than the quality of singing in our local talent.

Even earlier there were songs where I was not finding appropriate voices, but still I overlooked that and didn't get the perfect voice to sing it. Now I won't do that.

It's about surrendering to this feeling of utter fragility, and singing through the volatility of it all. The earth is unstable, and I'm part of the earth. I can feel it coursing through my own body. I feel the energy of everything, flickering. Let's just sing together.

And in singing, what my voice lacked in quality it made up for in volume.

I pretty much started going more towards the singing route when I came out with the song 'Selfish.'

Singing is a very sensual activity! You engage in it with all your senses and your heart.