Quotes About Acceptance

When it's open and honest, that's when the real nature of who you are as a vocalist or as a performer, all of that stuff can finally start to become what it's supposed to be. Like a settling into yourself. It's not even a musical thing, it's a whole mindset, a whole acceptance of who you were supposed to be. Life sounds good.

People are always bemoaning the fact that electronic music is finding its way into the mainstream. To me, that's the best possible thing. It's going to give us a much bigger platform. It's going to train people's ears to these sounds so they can listen to a track even if it doesn't have vocals.

Sometimes people won't be able to relate to you if you look like you're straight out of a full blown 'Vogue' magazine every time they see you.

It's the 'Italian Vogue.' Of course, I said yes!

I think the moral majority and religious right have been shrinking and having not quite as loud a voice in America, and all of a sudden people are coming to their own realizations going, 'Joe down the street is gay and he's a great guy.'

Starting out, I bet I didn't get a lot of parts because of my strange voice. I'm not consciously thinking, 'Hey, sound like a squeaky dog toy mixed with a bagful of rusty nails.' It's just what my voice has done.

The voice I use is a very old hardware speech synthesizer made in 1986. I keep it because I have not heard a voice I like better and because I have identified with it.

I was holding my mum's hands and praying. Will people accept me with my pimples and hoarse voice?

Ever since I was 16, I've had this lower register, what I thought was a very manly voice, and I was insecure about that. But once I started acting more, I realized it was an asset, and I didn't want to force myself to aim for the highest note possible.

I didn't want to be short. I've tried to pretend that being a short guy didn't matter. I tried to make up for being short by affecting a strut, by adopting the voice of a much bigger man, by spending more money than I made, by tipping double or triple at bars and restaurants, by dating tall, beautiful women.

I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.

I used to hate the sound of my voice.

It didn't matter what you look like. You don't have to get up at 5:30 in the morning and there's a lot to be said for that. Corpse Bride can just play all my parts from now on and I'll just do the voice.

Growing up I was told, 'Stop acting like a girl. Don't stand like that, don't act like that, deepen your voice.' But for me, it came naturally.

I've spent my entire life trying to figure out why I was different than everybody else. Why is my voice so deep? Why am I so muscular?

My singing voice is awful.

Musicals have long given voice to outsiders and speak of experiences in our culture and environment.

I could have hidden in Boston and lived at home for three years, gone through my transition, taken voice lessons to make my voice more feminine, gotten gender reassignment surgery, and spent time to complete my transition, but I didn't want to wait. I wanted to be in the world.

In the early days of Twitter, it was like a place of radical de-shaming. People would admit shameful secrets about themselves, and other people would say, 'Oh my God, I'm exactly the same.' Voiceless people realized that they had a voice, and it was powerful and eloquent.

I was an outsider. I looked different, and I felt really voiceless as a kid.

I was hugely relieved to discover there was a purpose for girls with loud voices.

Throughout my years of public service, I've listened to the voices of the gay and lesbian community, whether through whispered confidences or public declarations. I understand what it truly means to say that all people should be treated equally, and I'll always stand up for fair and equal treatment of gay and lesbian Americans.

I don't sing very loud, which some people have given me trouble about, but we all have to figure out what our voices are, embrace that.

The more queer characters I play over my years of working as an actor, and the more I see other young artists stepping up with the same intention I have, to make space for the voices of a generation of people who may not fit the status-quo, the more it inspires me to keep going.