Quotes About Actors

Actors aren't particularly deep thinkers. I'll simply tell the truth. That always confuses them.

There will be unapologetic uses of generic types, actors with duplicating roles. Anachronisms, false starts, scarlet clues, a noirish insistence on the pathetic pursuit of human truths will pervade its miserable (quite thin) plot, and while the mystery will seem unsolved, to some it will provide the satisfaction of unrelieved despair.

Similarly it is possible that the system itself is sick, even though the actors within the organization are behaving in accord with organizational etiquette and respecting the internal bonds of trust. That

The true poetry of Rome lived in its institutions... from such a rhythm and order in the shows of life, to those who were at once the poets and the actors of these immortal dramas... the consequence was empire, and the reward everlasting fame. These things are not the less poetry... They are the episodes of that cyclic poem written by Time upon the memories of men. The Past, like an inspired rhapsodist, fills the theatre of everlasting generations with their harmony.

Perhaps we are yet too near the great events of which this act formed so conspicuous a part, to understand its deep significance and to foresee its far-off consequences. The lesson of history is rarely learned by the actors themselves, especially when they read it by the fierce and dusky light of war, or amid the deeper shadows of those sorrows which war brings to both.

The great actors of history cannot be neatly tucked between the covers of a book and filed away like so many pressed botanical specimens.

so could not have had first-hand knowledge of how gleefully a policeman translates his orders from above. But they had no right not to know that; if they did not know that, they knew nothing and had no right to speak as though they were responsible actors in their society; for their complicity with the patriots of that hour meant that the policeman was acting on their orders, too.

In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.

My great uncle was in 'Dad's Army.' And I don't know if Americans will know that. It was a hugely popular show in England.

I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors. He's done a lot of comedy. He does mostly just comedy like 'Uncle Buck' and 'Home Alone' and 'Home Alone 2.' And I've done a lot of different stuff, like sad movies, like the movie about the kid with AIDS.

My whole family is very artistic - my uncles are all actors and theatre directors.

I don't want to be involved with an actor because I know how they are. I've had problems in the past being with guys who haven't had any success or haven't made as much money, and it's very uncomfortable.

I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.

I think actors get too comfortable. I like being uncomfortable as an actor because it keeps you alive. I don't know, I think it's important.

We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.

People ask me, 'Did you ever want to be a live-action Peter Parker?' Are you kidding me? These actors live in a gym and wear really uncomfortable tights for 14 hours a day. And it's not like you're doing some very fun acting. Shooting is a real drag. Then you do press for five months? I don't think I could get it.

I never interacted with actors in any way, texting or otherwise, that should make anyone uncomfortable.

I think humans are fascinating in general. We're so weird. We do so many quirky things, and we don't even know it. There's just so many layers upon layers of nuances in everything we do, and the most fun part as an actor is trying to get into all those nuances, whether they're conscious or unconscious.

The whole casting of 'Anupamaa' is so unconventional.

I think the writing skills of actors are sometimes underestimated.

I think I do have a way of predicting - not always accurately - what is a nerve-wracking day for actors, what may be a difficult scene or a difficult moment, how small - and it may be down to one line - a thing maybe that is upsetting or undermining a performance.

I loved the Scarecrow and the Tin Man and the Lion and you could kind of see the actors' faces in them. It wasn't an entirely new face sculpted around them. What made those characters so human and appealing to me was seeing those great actors underneath there. They weren't lost behind a bunch of appliances.

It's of course understandable that people want to know about actors in their favourite series.

A lot of nepotism that exists, actually, exists outside this industry because in this industry, behind the camera a director's son becomes a director and a producer's son becomes a producer and that is still understandable that they are carrying their legacy but for actors, it is very very different.