Quotes About Actors

Don't get me wrong: I've worked, over the course of 14 years, with certain actors that are really just not nice as people, so you don't really care what happens to their show. But someone like Rachael Harris, you hope that woman wins an Emmy.

I was on a well-beaten path of actors - what we all call 'the Law and Order route'. I spent two years of auditioning for everything... and then 'The Wire' came up.

When my fans and actors like Rajinikanth and Amitabh garu wished that I do films once again, I thought I should do. I had some skepticism in me, initially. But looking at the encouragement, I grew in confidence.

Before, I wished my acting and my identity to be strictly separated. I felt uncomfortable about showing who I am because I was afraid it would affect how audiences see my performance. But now my thoughts have changed. I think people these days accept that actors and the roles they play are separate.

I liked working with Tom Christopher as he was great as Hawk, and Wilfred Hyde White but I wished it were in a different context as the changes really tuned off the audience.

I have been quite open to the idea of working with any actor who wishes to sing for their films but only if their voice suits the song in hand.

A chiropractor wishes he were a doctor, just like those people outside Spago wish they were actors.

If you say actors have a social responsibility to do things, you are right, in a way. It's a wishful decision. But if it's done out of force, I don't think it will accomplish anything. Everybody starts counting how much work they have done and see if they have done their due for the week. That is not social service. You need to go way beyond that.

One of the great things about the 'Iron Man' franchise is that they employ fascinating actors who don't necessarily do action movies. Before 'Iron Man' you didn't associate Robert Downey, Jr. and Gwyneth Paltrow with those kinds of films. There's an emphasis on repartee and wit.

I think 'The Witch' was actually my 100th job. Only took me 100 jobs to get a lead! But it did change things a lot. It was a magical thing for Rob Eggers to pick me out of the all the actors he could have for that part. It was an amazing part. It's changed my career massively.

People are really emotionally affected by actors. And it's hard to know how to behave in a way that doesn't impose or withdraw. Because everybody wants your attention. Everywhere you go, you know?

People are really emotionally affected by actors. And it's hard to know how to behave in a way that doesn't impose or withdraw. Because everybody wants your attention.

The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.

Some actors couldn't figure out how to withstand the constant rejection. They couldn't see the light at the end of the tunnel.

I realized that I didn't think I could stand the psychological battering that actors have to withstand. I just felt I wasn't cut out for that kind of self-promotion.

I know there are different kinds of actors, but I tend to have less effective relationships with actors who have a very private process - who really need to do lots of internal work, so that I become merely a witness until they're ready to share.

It's very embarrassing to talk of your own work before shooting for it and even before it is released. I have been a witness to many of our actors turning red-faced after their films release. I'd rather not be there.

I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.

There was another Judy Garland movie on TV, and it wasn't 'The Wizard of Oz,' and I was so confused. I was like, 'Wait a second, what is Dorothy doing in this movie?' And that's when I became fascinated. I didn't realize there were actors.

I became very close with Charles Bronson and his wife, Kim. We did 'Sea Wolf' together along with Christopher Reeve. I've been lucky enough to work with some amazing, legendary actors. I worked with Rod Steiger twice, for instance.

West Orange, where I grew up, is the hometown of Ian Ziering from 'Beverly Hills, 90210,' Scott Wolf from 'Party of Five,' David Cassidy from the 'Partridge Family,' and Mike Pitt of 'Boardwalk Empire' and 'Dawson's Creek.'

People ask me, 'How's 'Teen Wolf?' and I tell them it's literally the best job I've ever had. It's hard. Everybody wants to be a series regular. It's something that a lot of actors would kill to have. That being said, it's very demanding of you, in so many different ways.

'Dances with Wolves' really started the movement, using subtitles for Lakota Sioux and showing Indians as interesting, complex people - not just the enemy - and giving a lot of unknown Indian actors work.

In the business I meet some beautiful women, but to be honest, 80 per cent of them are raving lunatics and are to be avoided. It's just insecurity; actors are generally quite insecure. I wouldn't date, or I've never had a fling with an actress, and I'd quite like to keep it that way.