Quotes About Twist

Even in a comedy, you have to make people feel. You have to put your hand inside their soul and twist out their heart.

For me, the worst writing generally just 'flips' things: this person's really a traitor; it was all a dream; etc. Nothing is so ruinous as a forced 'twist,' I think.

When a crime writer thinks up a delicious twist, it is a great moment. Time to relax and take the rest of the day off. I do think that it can be overdone, however.

When you think of a great twist or a red herring or a way of misdirecting the reader, it is good, but you know that they are just tricks at the end of the day, and the way to keep interest is to write characters that people care about.

The best way to describe my work is comedy in a very, very real way. I'm not scared to look silly on camera. I take everyday situations we all go through and put a very real twist on it - things people can relate to.

Back at high school, there was this quarterback who asks me out. He's never paid attention to me before, but now we're on this date, going to see the 'Sixth Sense.' And right before the climax, he leans in - and I'm so excited, because I think we're going to French-kiss - and then he tells me the twist. He completely ruins the movie for me.

I like timeless and classic pieces with an interesting and modern twist. And I love a little funk!

I'm mixing country with kind of a modern twist to it.

The beautiful thing about comedy in the U.K. is that it has a clever twist to it, and when you really break it down, the joke isn't filthy at all: it's clever.

Producing is figuring out how to make each character have a distinct voice, how to make the story twist and turn - that's the biggest challenge.

Social media is an influence but with my own twist!

I love Shogun world. It's so beautiful. The performances are beautiful. It's like classic Japanese cinema, with a little 'Westworld' twist.

My style, I'd definitely describe as athleisure with a twist of gay, which I really, really live for.

By some crazy twist of fate I was able to remember the moments leading up to the bombings, and in the end, it helped people. I'm not a hero; I did what any normal person would do.

I'm interested in genre in a way, I suppose because you have a framework of something and you can just twist it to explore the psychology or try different subversive ideas on something that feels familiar.

With a song called 'House Party,' you'd expect it to be more about a big party, not as much about a relationship, so we tried to put a little bit of a unique twist on it.

When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.

I hate it when it is all about the twist and when the ending comes out of nowhere. I think you should be surprised and shocked, but you should also think, 'Damn, I should have seen it,' because there are clues all the way through.

I would never, for the sake of the story or a twist, have a character do something that they just wouldn't do. I really couldn't. I'd rather miss out on the twist.

I try to take the foundations of what music is and add some type of twist to it.

I don't get the airplay that one in my position deserves. 'Twist and Shout' gets more airplay than 'The Twist,' and that's not right.

I'm big fan of soulful music - classic rock with a folk-ish twist.

In love stories you have to establish the mood and then you can go on. Writing thrillers are difficult because every scene needs a twist. May be comedy is even more difficult but I have no experience of it.

My concept is drag queens are not a reflection of society, they are a fun house reflection of society where we bend, and twist and manipulate the anxieties we all feel.