Quotes About Entertainment

Each time I have performed in Utah, I had a great time, and the audiences seem to enjoy what I do. The audiences are very warm and very appreciative.

We eat raw dough. We eat raw cookie. We eat massive buttercream in cakes that are still warm. We eat salt. We have to taste things that you will not put in your mouth. But you know what? That's television. You have to do it.

I think that 'Full House' is just a feel-good show. It's not meant to be anything more than just a little silly, funny, heartfelt, and warm program.

I've never done any vocal warm ups, ever. As a matter of fact, I learned to sing playing three sets a night in smoky clubs.

I want 'Hot Ones' to give people that warm, fuzzy, TGIF 'Family Matters' Christmas-episode feeling after they watch it.

I think there's so much already of the alternative on TV, it's actually nice to have some feel-good moments to warm your heart.

For me it's the funniest show on TV. 'Benidorm' is such old-school, 'Carry On,' panto humour. It's so warm.

I was a warm-up DJ for many years so I know how to build a crowd, what record goes with the next, it's all about understanding the dance floor and how the energy and flow should go coordinating to what the crowd want or might need.

If you pay attention, stand-up can be great improv training ground. But one of the things that helped me the most was doing warm-up for the 'Mr. Show' tapings way back when.

I turned on VH1 this morning just to get a little warm-up before I came over here, and I think it's just terrific. There's so much great stuff: diverse and wonderful music, good performances, great looking girls, great videos, the whole thing.

An insult is mean or unkind. Milton Berle called me the Sultan of Insult, and I was called the King of Insult. But the guy that gave me the best title - and I use it to this day - was Johnny Carson. He called me Mr. Warmth.

It's nice to be in a smaller room. I like the big arenas as well, but at my core, I'm a live performer, so it's nice to be able to feel the warmth of everybody in the room.

James Corden is a rare entertainment force who combines irresistible charm, warmth, and originality with a diverse range of creative instincts and performance talent.

My act is a little raunchy. When people come to my club, I have to warn them it isn't Robert from 'Raymond.'

I've worked with Jack Warner and Jimmy Stewart - and Angelina Jolie, Brad Pitt, and Johnny Depp twice. I've had dinners with Fred Astaire and Cary Grant.

I have Time Warner, and I try to relax a lot and watch television a lot and everything. I really enjoy that. Listen to the radio.

My biggest dream for this company is to restore it - to bring Time Warner back to the position that I think it once had and, even better than that, to make it the greatest company in the media and entertainment world.

The investor world that looks at studios as part of media companies will say that the studio business is supposed to be erratic. Not at our company. Not at Time Warner.

More than anything, I want to keep working with people of talent like Craig Gillespie, Spike Lee and Clint Eastwood. But there's also those long-dreamt-of moments: I'd love to host 'Saturday Night Live,' I'd love to do a Penguin stand-alone movie at Warner Bros., I'd love to do a Teddy Roosevelt biopic.

Trying to convince Warner Bros. to make a $30 million 'Veronica Mars' movie just wasn't going to happen, for understandable reasons.

Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.

I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.

Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

I wanted to be the first female, young teenager producer, and it didn't happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.