Quotes About Entertainment

I shout at the radio when someone starts talking over the end of a song. Shut up! I don't want to hear that the DJ has just found a mouldy sandwich in the corner of the studio. Nor do I like it when the magic of something you're watching is shattered by an advert for Argos.

Well, Hollywood isn't made up of individual studio heads anymore. It's made of corporations. And corporations are looking for the bottom line. They don't want to take chances. They want the money back for stockholders.

I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.

I loved the medium of TV from the first moment that I got into a studio.

Mani laughs every time he hears someone ask me, 'Don't you miss acting?' Because he sees me with make-up on every morning and leaving for the studios.

When I see a lot of the big Hollywood movies, I see they are all financed by Indian studios.

My father believed in moving on with time; he always said that the show must go on, come what may. That is exactly what we did when it came to RK Studios.

I like studios. I just don't like bureaucracies.

I like the fact that major studios have been attempting horror films recently.

The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.

The actors are in control, getting outrageous amounts of money. The reason they're getting this kind of money is because the studios don't know what else to do. They don't have a clue about what to do except to pay an actor a lot of money.

We were like a stock company at Warners. We didn't know any of the stars from the other studios.

Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.

It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.

I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.

Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.

But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.

If you look at American studios, the big productions have nothing to do with reality.

If Barbra Steisand wants to make a picture called 'My Pink Fingernail,' the studios will go, 'Gee, Barbra, what a wonderful idea! Money is no object! Take two years in preproduction and write the music, and you'll direct.'

Studios will tell you that they can't turn a profit on female-driven entertainment. Which is like the Gap saying no one is buying clothes anymore. No. No one is buying your clothes.

I had no interest in filming. I sometimes went to the studios with my dad, but it was slow-going; it was boring to watch. I always ended up in the rehearsal hall watching the dancing. That's what I liked to do.

The fact that Disney bought Maker Studios doesn't really change anything for me.

Let me tell you, there's nothing like pulling up to Fox Studios bumping Jeezy in your Mercedes.

I just hope, every now and then, the studios still slip one of my movies in.