Quotes About Entertainment

I loved doing 'The Family' with Eunice and Mama. They were very interesting because there were no jokes written into those sketches. It was all character-driven. And sometimes it got a little heavy.

Nobody has ever written as many enjoyable, fun-to-read crime novels as Agatha Christie. It's all about the storytelling and the pleasure of the reader. She doesn't want to be deep or highbrow.

'Off With Their Heads' by Frances Marion. I love a showbusiness autobiography - and this one resonates because it's written by one of the great Hollywood screenwriters.

Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked.

'Sunspring,' the first known screenplay written by an AI, was produced recently. It is awesome. Awesomely awful. But it's worth watching all ten minutes of it to get a taste of the gap between a great screenplay and something an AI can currently produce.

Matt Weiner is an amazing writer. He's one of the best, greatest writers that's ever written for television - or just written.

A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.

And I admit it: there's a rather dirty thrill when 700 people laugh at a joke you've written.

I get bored easily, so I need to do a lot. I've started a record label, so I get to nurture new talent and talk about music, which is a passion of mine. I've written another book. And I get to come to work and do the TV show, which is always really fun.

I like to think that I probably have written more World War II music than anyone on the planet after all the 'Medal of Honors' and 'Call of Duties.'

Every time I sit in the audience and watch a show that I have been involved with, it is such an amazing feeling to see all those people around me, knowing they are actually watching and enjoying something I have written.

Every single tune you know from the 1940s until the 1970s was written, arranged, and demoed in the Brill Building. OK, maybe not every song, but writers from Benny Goodman to Lieber & Stoller to Neil Diamond all kept offices there.

Life is hard, and a lot of people come home tired from work. If they're gonna spend half an hour reading, they want some entertainment and a sense of achievement. So that's what I give them. That's all I'm trying to do. Is that really so wrong?

We're not ashamed of the old stuff, but when you look back at the posters it does make you think: 'My God, six men and one woman.' Weirdly we didn't say 'that's wrong' and no one else did, either. It's been a really quick shift in the landscape of telly, which is brilliant.

But television, when I was doing it, was all about scoring. You had to make these jokes bang, do whatever you could to make the material really pop. And if it didn't, there was something wrong with the material, or with you.

I've had some bad gigs, don't get me wrong.

A lot of people will center their living room around a TV. I personally think that's the wrong decision. I mean, have it there, absolutely. But to walk in and clearly see that the sole focus of any time you have in your house is that TV?

Ive always been one of those comics who doesnt say much on panel shows because Im terrified of saying the wrong thing or offending the wrong person.

I do feel in 2018 that pro wrestling has gone in such a different direction. Before, things were so black and white; now, it's shades of grey. It's not so much good guys and bad guys: there are people who are put in situations who do the right or wrong things, but people react to them like they are stars.

Being on the road has about 2 1/2 hours a day that are really great, and that's when you're onstage. The other 21 1/2 hours are very boring... It becomes like a void, and we chose to fill it with all the wrong things.

I can't stop watching black and white movies. I live in a world of Warner Brothers movies and all of that stuff from an older era, and I love them. I still love them. When I look at them, I sometimes think I was born in the wrong time.

BBC TV gets hold of an idea and beats it to death until we're all heartily sick of it. They buy people without thinking what they're going to do with them. It's the wrong way around. What they should be doing is employing really good ideas people to come up with good ideas.

I wrote for 'King of the Hill' for three seasons.

In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.