Quotes About Entertainment

I want to keep all the comedy to interviews and outside-the-ring work.

People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.

My fan following is intact. They only like to see me in movies, which I am still doing for them. I do not need to do any long interviews or chat shows.

I think the good ones, the interviews and the promos people remember, those are improv.

I always feel like I'm not very impressive in interviews when I talk about what I watch on television.

I don't like giving interviews unless I have something to talk about. Why bore people and why bore media?

Ozzy Osbourne is one of my favorite interviews, he's so good.

I could have done a night at the O2 in London, but I couldn't bring myself to do it. I'm not being big-headed, but for my act I can't be talking to an audience of 12,000 people. There's no intimacy.

That's the power of television. You come into people's homes every week, and that creates a familiarity and a false sense of intimacy.

The Internet is a very intimate entertainment experience. I'm in my own apartment talking to people, and I want them to feel like they're with me in my apartment. So if I'm listening to them and taking ideas from them and being honest with how I'm feeling, it resonates even more that we're having a real, actual conversation.

Movies are becoming more global, which is making them less intimate. If you make a movie for the world, you don't make it for any country.

Any time we have the opportunity to play in a more intimate room, there's such a huge aspect of our set just built for that. And beyond that, we just love being that close to our fans.

Television's an intimate medium. It's in our living rooms. It's in our bathrooms. It's in our bedrooms - and we respect that.

I don't really watch all that much television, I have to say, because I'm so intimidated by how many channels there are. I really cannot find my way back to anything. But I'm compulsively addicted to '24.' I love that show.

Comedy kind of terrifies me. I feel pretty intimidated.

So you don't have to take us too seriously; I mean, we're already intimidating enough on stage.

I am a teetotaler but I have to say that the film business is intoxicating.

Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.

What intrigues me is that there are funny people in the real East End. It's famous for it. There'd be blokes dressing up as women as a lark, but 'EastEnders' seems blind to the fact that they enjoy a laugh. There should be a cheery chappy on there.

You know, I think I was always intrigued by theater since I was a small child.

The concept of 'Naagin' has always interested me and I think even the audience is intrigued by it.

'Keeping Up with the Kardashians' is interesting, intriguing.

The art of drag is intrinsic to who I am.

Doing five-minute sets on 'Conan' and things like that are fun and a great way to introduce yourself, but it's such a constricting time, and you usually have to cut bits down.