Quotes About Success

To become a superstar, it's not only the voice. You have to have all these things: talent, determination, be ready to work, ready to understand.

Music and football are two industries where black people excel, because talent is undeniable. You can't deny an amazing voice. You can't deny amazing athletic prowess. Physically, it's evident. But in other industries, circumstance is more of a thing.

Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!' And that's good: you want that, because it keeps you on your toes, and it's important to remember what's actually important.

The secret of my success? I speak in a loud clear voice and try not to bump into the furniture.

The way I look at it, a footballer wouldn't play in flip-flops or dip their feet in acid and then expect to get to David Beckham's level. My voice is my living, so I'll be looking after it.

As a kid, I was going to be a marine biologist or an actor. When I became successful as an actor, I said, 'Well, maybe I can lend a voice to this with an equal passion.' You realize how lucky we are and how destructive we've been and what little regard we have for the natural world.

The more cynical commentators on our careers would say that the northern accent has been the basis of our success. There's a certain authenticity to the voice - which isn't to my credit; I was just born there.

I don't come from a very ambitious family. We weren't entrepreneurial. We weren't hard-working academics, or setting up businesses. But for some reason, when I started doing fitness, I always had this voice in my head telling me to keep going - keep going, and people will eventually follow.

We're told that to be successful girls, we have to be small and quiet. Yet to be successful humans, we have to become big and have a voice. There's an inherent contradiction.

It's my instinct more than my voice that keeps me on top.

I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.

On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.

Live-action has always been my focus and my passion. I love voice-over, and I definitely could see myself doing some voice-over, as much as I could, and even if I ended up doing only that for the rest of my life, and I could be successful at it, that would be great. But I think my real dream is to do films and live-action films.

After 'The Wonder Years,' I ended up having a voiceover career, which was something I never even knew was possible. But after the character I was playing on 'The Wonder Years,' people said, 'Oh, would you like to do a Burger King thing? And there's a 7 Up thing...' And then I got to do 'Dilbert.' I think my voice kind of fit for that.

I did voice work for many years before I started having success as an actress. It was mostly radio and television voiceover work, but I know my way around the studio. I know how to use the cappuccino machines and the headphones.

To be able to be doing voiceover, and to be able to be doing 'Spider-Man,' it doesn't get much better than that.

I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.

My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.

Years ago, I couldn't get arrested in commercials because of my look: 'Is he Jewish, Hispanic, or African-American?' I ended up doing voiceover work, which has been great. Honestly, I can't complain.

I optimize for brands and people I enjoy spending time with - we've invested in Warby Parker, Glossier, Outdoor Voices, Bonobos - because if you're having a good time, you're inherently going to be better at what you're doing. Even the bad times are tolerable when you're working alongside people you respect and like.

Diversity is essential to the success of the news industry, and journalists must include diverse voices in their coverage in order to reach a broader audience. We have stories to tell, but many in our audience have stopped listening because they can tell that we're not talking about them.

When I made 'Voices of a Distant Star,' I wanted to make money from making that movie, of course, but that wasn't my major reason.

With any success, a lot of voices come out, and you start hearing a lot more opinions on the matter. We've provoked very strong reactions in both directions since day one.

Print-on-demand publishing is the new farm system for new voices in fiction. Authors who have compelling things to say, who can market their stories in compelling ways, will succeed.