Quotes About Tate

Everybody who was anybody seemed to be going to a meeting, the glowworm, who was a solipsist, the lemur who was not.

I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.

Whatever, at least I'll be able to get a drink. Stella, you might want to join me when you're finished because Lord knows your struggle-boyfriend can't afford to buy you a glass of water." Then she sashayed off.

Dramatic experience is not logical it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.

There's this big rumor that I was a backup dancer when I was 11. Not true!

'Argo' was a great script from day one. I don't think we knew that it was going to be such a success.

For centuries, the arts and philanthropists have worked well together: look at the Tate family and the Courtaulds. If you've been fortunate enough to have some success in business, I think it's important to put something back.

Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.

Some comic artists I've known are better than most contemporary artists with work hanging in Tate Modern.

If you want the belt, you have to go drive it through and try to get it like I did against Miesha Tate.

People always ask me "Sir Andrew Tate is it true you and your friends are the Kings Of The Internet?" I tell them of course it's true you big dummy.

'Fargo' is one of my favorite movies.

Want to come back to the morgue with me after lunch? (Tate) I shudder at the thought of the pickup line you must have used the night you met LaShonda. Come with me, baby, and see my collection of stiffs. (Simone)

I just love the gifts you bring me for lunch. Other girls get diamonds. Me? I get mayhem and blood – and all before noon. Thanks, Tate. (Simone)

But for the last couple of weeks I've had this bizarre sensation that something is watching me. (Simone) You mean someONE, right? (Tate) I know it sounds crazy – (Simone) I just had a body walk off the table mid-autopsy and you think your story is nuts? (Tate)

Are you sure it's not one of the ghosts you see eyeballing you? (Tate) No. They're never this subtle. They usually pop in, like 'yo, she-bitch, do my bidding.' This…this is something else. (Simone)

Want a closer look? (Tate) Like a screwdriver through my eye socket. Sure, let's have a look-see. (Simone) Ooo, welcome back, Ms. Snark. I've missed you. (Tate)

Ms. Marin usually worked über-long hours at McManus & Tate, her Philadelphia advertising firm.

I looked at but was not allowed to touch Ai Weiwei's 'Sunflower Seeds' at the Tate. The film of making them was really moving.

I just love the gifts you bring me for lunch. Other girls get diamonds. Me? I get mayhem and blood – and all before noon. Thanks, Tate. (Simone)

His blue eyes held a rare twinkle. "Oh goody. Another Marshall brother." He caught her hand. "Let's see. Ford beat me up. Wyatt nearly got me killed. Maybe Tate can get me arrested.

Typhoid Mary or Ted Bundy or Sharon Tate. History is nothing except monsters or victims. Or witnesses.

Dramatic experience is not logical; it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.

I like the action business. I like the action movies. I guess Hollywood wants to see me do action. So I am down. I like it.