Quotes About Talent

I was three years old, and I walked onstage during a performance that my father was a tenor in 'The Barber of Seville.' I walked out onstage, and people started laughing and clapping, and that was it. That was all it took. Laughing and clapping, I still enjoy today.

I am not a known face and a lot of people wouldn't recognise me if I walked into a room. But that's okay with me. I want people to recognize me through my work.

My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.

It's been important to me to be a good activist, a good thinker, a good musician, a good singer, and a good entertainer. You can't do it all, but I have walked those delicate lines as best I know how.

People like Ella Fitzgerald, Lena Horne, Marlene Dietrich and Sammy Davis Jr. all walked me down this path of entertainment.

My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.

Most of our models have just walked in off the streets, although I also find them on countless trips to Europe - particularly Scandinavia. I operate by instinct. It's a process I cannot explain, but the prettiest girl on the block is not always the best model.

I gathered that those two Big-shot Boys, Joe + Fletcher, just was afraid to let me sing, thinking maybe I'd sort of ruin their reputations with their musical public. They not knowing that I had been singing all of my life. In churches, etc. I had one of the finest All Boys Quartets that ever walked the streets of New Orleans.

Much before I entered films, my dad walked into my room and saw me busy drawing something at 3 A.M. He stood there for some time and said, 'Whatever career choice you make, you are going to be successful.' I'll never forget those words. It gave me the confidence to be who I am today.

I always said to myself when I walked into the arena 'today they're going to know how good I am' and that was the attitude I carried with me every single time and just felt like at the end, you can't hold talent down. If you have it, eventually it's going to shine through and you just have to keep pushing.

Early in my career when I was with Montreal, we had a lot of good outfielders like Otis Nixon, myself, Marquis Grissom and Larry Walker. We all did the platooning thing, although each one of us could have played every day. We got everybody in the lineup, and everybody got to play.

The Walker Brothers, they were a talented pair of people. I thought that Scott had a very fine voice.

Me, I'm good at nothing but walking on the set with a pretty dress.

I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.

Every person walking has some kind of talent that they can get on tape.

Because - Bobby Lewis said this once to us in class, the better you get, the less credit you'll get. Because the better you are, the more it looks like walking and talking and everybody thinks they can walk and talk.

I've been singing since I was born. It's something I do everywhere I go. In the shower, walking down the street. I don't need any impetus to do it. I just sing.

Daniel Day-Lewis is my favorite actor walking the planet right now. He never ceases to amaze me.

A movie that makes me cry every time is 'Billy Elliot.' That scene where he's dancing in the hall, and his dad walks in. And the first time his dad can see how amazing he is dancing, but he's so conflicted with kind of his own feelings towards it. Oh, it's so emotional.

There is a real diversity of talent and background on the A list so as to better reflect our society in all walks. There are people who have been candidates before, Councillors, Doctors, business leaders, charity campaigners.

Acting can be a very cruel mistress. It's not a meritocracy. In other walks of life, by being good at what you do, you can achieve success. That isn't always the case in this business. Every actor knows that.

Most times, your blessings are also your curses. And for me, I have this ability to express myself so clearly with pen and paper, but when it comes to expressing myself verbally, I put up a big wall.

Only people who can't draw money need belts.

I wouldn't go to a club just to stay on the subs' bench.