Quotes About Talent

Shearer is the best English striker of his generation and yes, one of the best there has ever been.

Yes, but don't forget I also have the luxury of the worlds finest band when it gets lonely.

Yes, I am the best footballer in the world.

You look at what One Direction has done and just say, 'That is just lucky;' it is not. It is happening because they are talented boys, good looking lads; and yes, their songs might not be the typical songs that lots of radios want to play, but they are great songs, pop records, that are massive across the world selling in huge numbers.

Yes, I think I am a genius, but not a rebel.

I was always, you know, a decent player growing up. And yes, I was born with a certain amount of so-called 'natural ability.' But I also worked and sacrificed a lot to try to maximize what I was born with - which I think is important to point out.

Since I was seven years old, they say 'he's nice, he's nice.' Yes, I'm nice, but that's not all I am.

I actually went to circus school as a child. I think my specialty was walking on the big ball. You know the big ball you can walk on? Yes, I was quite good at it.

I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'

The truth is, I've never thought of myself as the Michael Jordan of comedy. And that's a good thing. You know why? Because I'm not. Wasn't that Richard Pryor? Yes, it was. I know what I am: I'm funny!

As a society, we're failing. In so many ways. Such high incarceration rates of underrepresented minorities ultimately means we're missing out on great potential from black and Latino communities. Yes, there's immense talent brewing even within the most impoverished neighborhoods. Talent is universal, but opportunity is not.

Yes, the United States is still the great meritocracy it's always been; but now, if you aren't brilliant or beautiful or both, there isn't much to do, because they can do it cheaper in Shanghai or Mumbai.

I performed in public for the first time at three years old. I remember it like it was yesterday. It was on a big stage. There were probably three or four hundred people in the audience. We were doing this dance, this Kermit the Frog routine, all of us in our little green leotards.

Yesterday morning I amused myself with an exercise of a talent I once possessed, but have so neglected that my performance might almost be called an experiment. I cut out a dress for one of the women.

Boy, there are days where I get up and say 'Where the hell did my talent go? Look at this crap that I'm producing here. This is terrible. Look, I wrote this yesterday. I hate this, I hate this.'

You know, you only get to live life once, so there are two things that that yields. One is that there's no point in crying over spilt milk, but secondly you hate wasting time, energy, and whatever talent you've got.

There's always gonna be guys who are just wonderful singers and probably shouldn't be writing songs. Then there's always gonna be guys who move up the ranks writing. I don't know what's healthier or what's the best thing - probably whatever yields the best songs.

Katya and I, as a yin and a yang, we pretty much represent the entire, full gambit of talent, you know? Together, there's not really much we can't do.

One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.

When you're from an unknown place, I think it's hard for you to believe it's possible. You think you have to go to L.A. or New York to make it, but I don't think that's true. I'm glad to be an example that you can make it from where you are. All you need is talent and hard work.

After 'Spelling Bee,' I started landing more jobs... I got 'Candide' at New York City Opera.

I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.

Little by little, when I was doing auditions in New York, I discovered I was good. People there were enthusiastic.

I think New York is truly unique in its singular combination of the quality of both the talent it attracts and the ingredients it grows. There are plenty of other places in the world with wonderful natural resources, but the people who come here to pursue their passions for food and cooking - they are one of a kind.