Quotes About Comedy

As far as stand-ups go, I always loved Richard Pryor, Chris Rock, and Sinbad. Basically, I love black comedians because they're the funniest. I wish I were a black comedian, actually.

Every day I think, 'Gosh, I wish I could be like George Carlin, Bill Maher: I want that edge.' But every time I start to get that edgy thing, I get kind of mean.

He's a fool that marries, but he's a greater that does not marry a fool; what is wit in a wife good for, but to make a man a cuckold?

Marriage is the grave or tomb of wit.

I was a big fan of how Johnny Carson hosted awards shows. Dick Cavett, as well, I think did a really great job of providing a nice blend of comedy, wit and class.

Americans just don't understand dry wit.

When I was a kid, I was a fan of comedy. I always loved Steve Martin, Chevy Chase, Bill Murray, and Dave Letterman - not an actor, obviously, but I'm still impressed by his wit. I wanted to emulate them because they made me laugh.

Comedy comes with a bit of sarcasm, wit and edginess.

There is certainly a higher percentage of wit in British comedy than in American comedy. What always tickles me is the way in which people try to use their intellect to get themselves out of tricky situations but never quite manage to do so - much to their enormous embarrassment.

I am a passionate devotee of the Howard Hawks' screwball comedies of the 1930s and the 1940s, where I think that the relations between men and women were at their civilized height in terms of banter and exchange of wit and equality.

One of the attractions of translating 'Heroes' is that it's not the kind of play that I write. If it had been, I probably wouldn't have wanted to translate it. There are no one-liners. It's much more a truthful comedy than a play of dazzling wit.

I'm not a quick wit. I'm only funny on paper. I mean, I'm not totally humorless! It's just that in person, I'm not quite the way I am on paper.

Though not really a comedy, 'Rosewater' is a demonstration of the creed behind 'The Daily Show': belief in the crucial need for impious wit against entrenched power. The freedom of the press is also the freedom to depress - and to inspire. That's a message that can outlive any Oscar season.

I am a professional comedian, a published novelist, and a general wit for hire.

Wit is a comic's defense weapon.

I always feel that most political jokes, if you're going to do them, you have to do them within the next five minutes, or else they're outdated. By the time you've got it to the point that it's strong, it would be 12 years old.

I've always tended to write comedy, but I'd hate to just write some kind of sitcom or a lighthearted series of jokes and slapstick. I wanted to talk about some deeper things within the comedy.

There is an overarching comedy community, and then there are little comedy community pockets, almost like the way L.A. is structured. You have this grand scope of what Los Angeles is, but within that, there are all of these multi-functioning cities and neighborhoods.

There are so many different ways of making people laugh and sometimes you sit down to watch something that everyone says is hilarious and within a couple of minutes you realise its comedy that isn't for you.

People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.

Most comedy is based on getting a laugh at somebody else's expense. And I find that that's just a form of bullying in a major way. So I want to be an example that you can be funny and be kind, and make people laugh without hurting somebody else's feelings.

I've always had to conquer fear when I'm on stage. Basically, I was and still am a very shy person. It's absolutely in conflict with what I do. But once I deliver the first joke I'm okay. It's like I'm out there all by myself just delivering my lines to nobody in particular without ever trying to notice the audience in front of me.

Anybody with a sharp brain and a mic can become a comedian, but there's a need to move beyond it. The audience wants to witness the marriage of theatre, comedy and something more.

AJ' is a very special movie to me. I have been watching Dinesh and Rajkumar from their initial days, and have witnessed their evolution. The film talks about the bond shared between a father and a son who wants to fulfil his father's dreams. It's a cross between a comedy of errors and a political satire.