Quotes About Comedy

And now, in the interest of equal time, here is a message from the National Institute of Pancakes: It reads, and I quote, Fuck waffles.

As it stands right now, I lead Richard Pryor in heart attacks, two to one. However, Richard still leads me, one to nothing, in burning yourself up.

Y'ever notice how you never seem to get laid on Thanksgiving? I think it's because all the coats are on the bed.

Today, I want to tell you about little Danny Pendejo.

Mary was fond of her own thoughts, and could amuse herself well sitting in twilight with her hands in her lap; for, having early had strong reason to believe that things were not likely to be arranged for her peculiar satisfaction, she wasted no time in astonishment and annoyance at that fact. And she had already come to take life very much as a comedy in which she had a proud, nay, a generous resolution not to act the mean or treacherous part.

H]aving early had strong reason to believe that things were not likely to be arranged for her peculiar satisfaction, she wasted no time in astonishment and annoyance at that fact. And she had already come to take life very much as a comedy in which she had a proud, nay, a generous resolution not to act the mean or treacherous part.

Women and minorities have excelled beautifully in comedy, but very few women are the lead in a drama.

I've said this before, and I'm sure there are people who disagree, but I feel like one of the reasons there aren't a lot more women in stand-up - and there are many more now; it's not parity, but it's getting there - is that women are not socialized to look stupid or silly. They're socialized to be pretty and precious.

Comedy's really about not being afraid to look terrible, look ugly, look silly, make fun of yourself. And that's something that women are just not socialized to do. But more women are doing it, and more women have examples of women doing it brilliantly.

I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.

Really good comedic roles for women are far and between, with the exception of 'Bridesmaids,' where everyone said it broke down so many doors for women - and it did. I would like to do something like that. I think it would be really great!

Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be in a writer's room until 2 or 3 a.m.

There's a general sense that women are more relaxed and less defensive in comedy than they used to be. I think it's easier than it was but underlying it all there is still a pretty sexist view of women on stage, which to me hasn't changed that much.

I didn't think I was a humorless shrew in 'Knocked Up.' I think the women are just as funny as the men are in that movie.

Yes, some women are funny. No, some women aren't funny. It's similar to how some women are tall and, you know, some women are short.

All the women I've grown up with at 'SNL' and other areas, and even the women that work with Judd Apatow, all those women are powerful, assertive women that have great material, and they just produce themselves.

Women are hilarious.

I was always a clown. In the eighth grade I won a city speech contest by doing an Eddie Murphy routine. I'm no good at public speaking, but if I can assume a role and speak as that person, then I'm fine. When I had to give a book report, I always did it in character.

Our first gig was a battle of the bands. We did 45 minutes of comedy and never played a note - and we won!

I got lucky. I won the San Francisco Stand-Up Comedy Competition in 1977 while I was still at San Francisco State.

I decided I'd try my hand as a stand-up comedian, as I loved making people laugh, and appeared at the Latitude Festival, won the 2007 Laughing Horse New Act of the Year, and was a nominee for winner of the 2007 So You Think You're Funny competition.

The Canteen Boy, the reason you feel bad for him and you can laugh is because he, and I guess a lot of my characters, they don't notice they're getting made fun of. So they'll say something back that's not that great a quip, but in their mind they won the argument.

Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.

You know, Python should have won a Grammy for our musical work on the show.