Quotes About Comedy

My dad was the town drunk. Most of the time that's not so bad; but New York City?

I told the doctor I broke my leg in two places. He told me to quit going to those places. - Henny Youngman

When I read about the dangers of drinking, I gave up reading

The patient says, Doctor, it hurts when I do this. The doctor says, Then don't do that!

Most women are attracted to simple things in life. Like men.

That diversion of life towards mechanism is the real cause of laughter

One's theories, after all, matter little, it is one's humor that is the great thing.

A good laugh is a mighty good thing, and rather too scarce a good thing; the more's the pity. So, if any one man, in his own proper person, afford stuff for a good joke to anybody, let him not be backward, but let him cheerfully allow himself to spend and be spent in that way. And the man that has anything bountifully laughable about him, be sure there is more in that man than you perhaps think for.

However, a good laugh is a mighty good thing, and rather too scarce a good thing; the more's the pity. So, if any one man, in his own proper person, afford stuff for a good joke to anybody, let him not be backward, but let him cheerfully allow himself to spend and to be spent in that way. And the man that has anything bountifully laughable about him, be sure there is more in that man than you perhaps think for.

A few years ago I was participating in a comedic 'Inner Beauty Pageant' and I had to figure out a talent very last-minute. I always loved Tyra Banks's 'We were all rooting for you!' moment, and so I decided to lip-sync live to the six-minute entirety of it as my talent.

25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.

My friends say I make them laugh a lot, so I think that somewhere in me is a little comedic ability that comes out in the most inappropriate or unexpected moments. I did a lot of sketch comedy years ago. That's always in me.

The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.

There was this whole middle time that only Chris Rock came out of, you know, 10 years ago it was Chris and a few other people, but that's about it. Chris is in a class of his own; I don't see another comedian who I put in high regard as him.

About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.

The whole - it's the economy's bad. It's bad for everybody. I have my own comedy club. I opened it three years ago in a horrible economy. I created jobs. And we just started breaking even after a year and a half, barely. For that entire time, I have had to pay the difference of what we owe in rent and taxes and everything out of my own pocket.

I didn't tell any of my friends that I wanted to be a comedian, because I was superstitious. I thought if I told people, it wouldn't happen. So I kept it all in my head for years and years.

I like stand-up. But I'd also like a family and house and a yard. I want to work with a lot of people, have colleagues; and on good film sets, there's people there that work with the same people for years and years. I love that collaborative spirit in that medium. Comedy is a lot more solitary.

Everything on 'Broad City' that my character has drawn is my stuff from years and years ago.

As a performer, you get your 'thing.' You're the deadpan comedian, or the mad one, or the sexy one, and then you rely on that and mine that seam for years and years and you kind of forget who you were. There's this mask that you hold up between you and the audience that means they never get to see who you really are.

My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.

When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

All those car battles with my brother Ned were excellent training. Even now, on the set, if we're getting into a vehicle, I'll yell 'shotgun' first. Thus forcing Steve Martin into the back of the car.

Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.