Quotes About Transience

Oh! thought Clarissa, in the middle of my party, here's death, she thought.

Even if fall she must, it was to lie on the earth and moulder sweetly into the roots of violets.

Thats what makes a view so sad, and so beautiful. It'll be there when we're not.

But what after all, is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, or a faint green quickens, like a turning leaf, in the hollow of the waves. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness.

What people had shed and left--a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes--those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again.

Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all.

beauty glowing, suddenly expressive, withdrawn the moment after. No one can count on it or seize it or have it wrapped in paper. Nothing is to be won from the shops, and Heaven knows it would be better to sit at home than haunt the plate-glass windows in the hope of lifting the shining green, the glowing ruby, out of them alive.

De vreme ce apariÈ›iile noastre, adic? partea din noi care apare, sunt atât de trec?toare, comparate cu cealalt?, partea nev?zut? din noi, care se întinde departe, înseamn? c? partea nev?zut? poate supravieÈ›ui, poate fi cumva recuperat?, ataÈ™at? unei persoane sau alteia, sau poate chiar bântui anumite locuri, dup? moarte.

What is meant by 'reality'? It would seem something very erratic, very undependable-now to be found in a dusty road, now in a scrap of newspaper in the street, now in a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech-and then there it is again in an omnibus in the uproar of Picadilly.

After that, how unbelievable death was! - that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .

Extraño; increíble; nunca había sido tan feliz. Nada parecía tener la suficiente lentitud; nada podía durar demasiado.

Tu È™i eu, È™i ea trecem È™i pierim; nimic nu d?inuie; totul se schimb?; în afar? de cuvinte È™i pictur?.

Nos han cortado, hemos caído. Nos hemos convertido en parte del insensible universo que duerme cuanto más despiertos estamos, y que arde, rojo, cuando nosotros yacemos dormidos. Hemos renunciado a nuestra sazón y ahora estamos tumbados, inertes, marchitos, y muy pronto seremos olvidados. Bernard

Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely?

Dünyan?n öylesine çabuk yitip gidecek güzelliÄŸinin iki ucu vard?r, biri kahkaha diÄŸeri kederdir ve kalbi paramparça ederler.

Now glancing this side, that side, they looked deeper, beneath the flowers, down the dark avenues into the unlit world where the leaf rots and the flower has fallen.

light and evanescent but held together by bolts of iron

toda a pompa é construída sobre a corrupção; como o esqueleto jaz por baixo da carne; como nós, que dançamos e cantamos na superfície, ficaremos embaixo; como o veludo púrpura se transforma em pó; como o anel (aqui Orlando, inclinando sua lanterna, apanharia um anel de ouro faltando uma pedra que rolara para um canto) perdia seu rubi e como o olho, que fora tão radiante, deixara de brilhar.

she could not shake herself free from the sense that everything this morning was happening for the first time, perhaps for the last time, as a traveller, even though he is half asleep, knows, looking out of the train window, that he must look now, for he will never see that town, or that mule-cart, or that woman at work in the fields, again.

I shall be dumped where the weed decays, And the rest is rust and stardust

Life is just one small piece of light between two eternal darknesses.

My Carmen, I said (I used to call her that sometimes) we shall leave this raw sore town as soon as you get out of bed. ... Because, really, I continued, there is no point in staying here. There is no point in staying anywhere, said Lolita.

I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky.

Beauty plus pity-that is the closest we can get to a definition of art. Where there is beauty there is pity for the simple reason that beauty must die: beauty always dies, the manner dies with the matter, the world dies with the individual.