Quotes About Movies

Yeah, I do like scary movies, especially the ones that don't take themselves too seriously.

Is there a movie I think I should have won the Oscar for? Yeah. All of them.

Well, I haven't really been able to shoot in California for a while. Little movies yeah, but the big movies we can't shoot there. It's just a shame that Arnold Schwarzenegger can't deliver on this level.

Yeah, I mean the material, directors, the other cast, and if you think you can do something with the character then you do it and go from there. I am looking forward to doing some smaller movies.

I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.

I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Eddie Murphy growing up.

I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.

I grew up when I was 15 when I had my first opportunity in movies. I watched every great movie for a year and a half, and since then I've asked myself how I can emulate such artistry. That's really my motivation. I want to do something as good as my heroes have done.

As a philanthropist, I give away a lot of money every year. Yet I thought there was a higher leverage to come in and create movies and TV shows that were actually able to do some good in the world.

I loved doing My Favorite Year, which was great fun, and The Ruling Class, which I made with all my chums.

My memories of the whirlwind '90s are a blur of work schedules. I was completing my B. Com. degree in 1991 when I took to modelling and acting in TV serials. A year later, I found my foothold in movies.

A lot of times, movies that are in the top 10 lists or maybe even win Baftas or Oscars, you then watch them a year later and you go, 'Maybe it wasn't so great.'

I really love making movies. I just have this yearning in my stomach to go back and somehow subversively screw up television a little bit again.

The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'

We ogle plants and animals up close on television, the Internet and in the movies. We may not worship the animals we see, but we still regard them as necessary physical and spiritual companions. Technological nature can't completely satisfy that yearning.

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.

When I was 8 years old, I saw 'Raiders of the Lost Ark' in Charlotte, North Carolina. I walked out of there and was so inspired. I loved the movie, and I knew I wanted to be that guy.

Later on they send me to Hollywood. To make movies. It was all new to me. I was only 21 years old.

I like movies where you can come back and re-watch them and admire the cinematography 25 years later.

I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.

There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.

You know what, it's a time honored tradition in movies in America that if you kill enough people in your 30s and 40s and 50s that by the time you get into your 60s you become loveable.

Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.

There are so many things we have not seen in 'Spider-Man' yet... I want to use bad guys never seen in movies. The first films were so traditional and so scrupulously followed the character's classic plot... So there's a lot of stuff left in stock. 'The Clone Saga,' for example.