Quotes About Movies

The stereotype of psychotherapy portrayed in popular books and movies is lying on the couch and saying whatever comes into your mind, while a kindly psychoanalyst listens and nods knowingly from time to time. After years and years, something wonderful is supposed to happen.

I read 'Tiger Beat' and 'Bop' from the time I was 9, 10, 11 years old. I loved movies. I saw 'E.T.' seven times. I used to yell at people who called me when 'L.A. Law' was on because they should know better. So I just have been so in love with the business of Hollywood since I can remember.

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.

I couldn't write a happy movie or romantic comedy to save my life. Yes, Noel Coward's an idol, but his plays are serious to me. 'Private Lives' and 'Design for Living' both have an edge. Without psychoanalyzing myself, I think I exorcise my demons in my work.

Yes, I would love to play one of the leads in one these movies and have all those challenges and deal with all those complications, but the business being what it is, there is a slot for me in these kinds of films, so I enjoy them, and I enjoy the people that I work with.

And what I like about it is it makes me happy and I think it makes a lot of people happy to go to the movies and to not think about the problems of the day or the problems of tomorrow or the yesterday and just go on for the ride and have the fun of losing oneself in a fantasy.

I like Yoda. I like the Ewoks.

Staying cooped up in one place is frustrating and I try to keep myself occupied - with yoga, meditation, cooking, reading, watching movies - to take my mind off things.

If people love 'Gremlins' so much and 'Clueless,' 'Yoga Hosers' is not that weird. It is very weird, but compared to that stuff, it's not that different.

'Dirty Dancing' is one of my favorite movies, and I was in love with Patrick Swayze for years, but I tried to stay out of his way and never to meet him because I knew if I did, he'd want to talk about yogurt or some weird dietary restriction or something.

My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.

I do everything from home. I broadcast commentaries for CBS News Radio every day - from home, on a disk that I mail in. I write a weekly op-ed piece for the 'New York Daily News,' and any books or plays or movies that I'm crazy enough to write, I do that from home.

I've been really lucky. When I decided to go to LA I said I was going to quit modelling and just go and see how I do. In the first two weeks I got three movies. I was so excited I had all my furniture shipped out from New York.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.'

New York is the perfect place for a film festival because there's already so much energy and life here, and New Yorkers love movies.

The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'

Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.

I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'

I still can't get over the idea that respectable adults now go to see superhero movies and that such films get reviewed in the 'New Yorker.' Clearly, I am seriously out of step with the times.

A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me.

I don't mind other guys seeing movies I want to see and then writing about them. That's fine, especially when it's the New Yorker's Anthony Lane, because he knows this stuff pretty well.

If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'

Movies can and do have tremendous influence in shaping young lives in the realm of entertainment towards the ideals and objectives of normal adulthood.

I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.