Quotes About Movies

I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.

I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.

I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

I actually grew up wanting to be a filmmaker. I wanted to make movies, and music was a detour, almost.

I don't blame folks for not wanting to put me in their movies or whatever. I understand if their audiences had an association with me.

I prefer watching movies on the sofa rather than sitting next to Bob Geldof at a premiere and wanting to kill yourself.

When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.

You can't plan for people to like your movies. I knew that people were not going to run in droves to the theater for the 'In the Valley of Elah.' I knew they might not want to see it, but I still had to the movie; I felt very strongly about it. Wanting to keep telling a good story is what you want to do, a compelling story.

My mother loved movies, and I loved movies like she loved movies. So I wanted to do that. I'd send away for movie magazines - the old thing of everybody wanting to be a star or whatever.

As a producer, what you want to do is make the next hit. But you also want to lead the audience into wanting to watch different movies. You have to vary your content.

I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.

We were very old-fashioned. My preacher at church told me I could not go in to the movies because it would make me a 'wanton woman.'

Bergman movies were the most influential. They used to show at Goucher University, which was where my parents used to live. 'Brink of Life' was the first one I ever saw. Three pregnant women in a maternity ward and their misery - I love that. That is what I want to show at my funeral.

I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright. Don't know why, it's not warm.

I really hope everyone who saw 'Twilight' sees 'Warm Bodies,' but at the same time... I don't resent the comparison on a level of quality because I don't judge other movies like that. Now that I make movies, I see how hard it is to do everything. I pretty much love all movies.

I was in a bookstore one afternoon, and I stumbled across this book called 'A Guide to Film Schools.' I always loved movies growing up and had never even conceived that it was something you could do for a living. Realizing most of them were in Los Angeles and knowing that was warm, I ended up applying.

You see it in the stuff I've done at Laika: I've always tried to make movies that have an artful blend of darkness and light, intensity and warmth. That have a thinking brain and a strong beating heart at the centre of it.

Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.

You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'

Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.

It was always a dream as I was growing up. I would watch movies, mostly American movies, and be so engrossed in those stories, all I wanted to do was be there. I wanted to be part of that romance or that fantasy or be that warrior or that struggling soul who finally makes it good.

You know, 'Mad Max' and 'The Road Warrior' was part of my childhood, and that's why I'm so close to it. I remember seeing those movies at a drive-in theater with my parents when I was very young.