Quotes About Movies

I know a lot of games have been going to the facial capture. And movies like 'TinTin' are using it, as well.

I like movies about failing.

Now, being on the cover of Vanity Fair is as important as being in great movies. The lines are very, very blurred.

You know, going to the movies has always been recession-proof. It's fairly cheap entertainment; it's classic escapism.

During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.

Scary is good. Kids like going to a movie and being really scared rather than fake scared.

Even today, a lot of the CGI you see in movies is so clean and crisp that it just looks fake. It's weird: the more advanced they get, the faker it looks.

Although I have not done too many films as a child artiste, the advantage is that you are familiar with the world of movies and it is easier to face the camera.

I think I've got such a diverse set of interests - movies, aviation, technology, sports teams.

The reviewers tear me apart. I bleed. I'm a favorite target. They go along for six months looking at movies, praying for rain, and then a new Sandra Dee movie comes out, and their eyes open, and they lick their lips. Before they've ever seen it.

I can't get through some movies without shedding a tear; I can't lie.

I got my love of animals from the Dr. Doolittle books and my love of Africa from the Tarzan novels. I remember my mum taking me to the first Tarzan film, which starred Johnny Weissmuller, and bursting into tears. It wasn't what I had imagined at all.

Even when you look at, like, movies with some of our famous celebrities, they don't really cry and bring out their tears until, like, forced.

For me, pop culture is very fluid: it's music, it's movies, it's books, it's art, it's tech, it's so many things - and as marketing and brand advocates, we should be able to to take products and services and match them to what's happening in pop culture.

On a very small scale, I kind of understand why the directors that I work with do certain things. I don't consider myself an incredible director. I'm not ready to do movies by any means. But, I feel like I can be a better actress now that I've been on the other side and kind of understand the process and more of the technical aspects of it.

I read scripts movie, TV and theater. I read every novel that is published. I read every book that comes out on the theater or the movies, including the technical ones.

Technically, maybe I learned most of all from George Stevens, and among his movies I learned the most from 'A Place in the Sun.' It's a lesson in moviemaking.

Actors betray. Technicians don't. Movies are made by technicians.

I watch a lot of movies, and I tend to be influenced by scenes that intrigue me, that make me want to use the same effects or technique.

The first movies were made by technicians building their own cameras. Movies became an art when technicians worked on the technique and artists took care of the content.

Some of the best movies made about crime are those where the crime solver can get inside the head of the serial killer, and those are the techniques we use in C.S.I.

Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.

What's interesting about the shift from an industrial age to a technological age is that we keep inventing new media: movies, records, radio, television, the Internet, and now ebooks - and one of the things that's most interesting about the invention of a new medium is watching it reinvent itself as it penetrates the culture.

When we were making 'Teddy Perkins,' we were playing with a lot of horror tropes and things you might've seen in movies before, but we get the ability to subvert expectations or get a comedic element out of a horror moment.