Quotes About Live show

My live show is almost like a meditation. An emotional apex - that's what I want it to feel like.

You're in for a live band. That's really what I wanted; I wanted to put on a show for people where they could come for the gay and stay for the musicianship. It's a live show; there's some rock stuff, too. Some rock and roll. Get ready.

I think the idea of doing a live audience taped show every week and just the rush of that would be a dream. I would love to do that.

I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.

For me, I'm very visually inspired. I'm more inspired by photographs and movies than I am by listening to other music, so for me to create an amazingly intense visual live show is a dream, so I would love to be on that level for sure.

There is something a bit volatile about hosting a big live show like 'Eurovision.' Anything could literally happen.

When I go to a live show, to me that's work... all those people in that crowd paid money to see us, so that's a big responsibility.

One evening, before shooting her live show, she gave me but one instruction, which has haunted me to this day: "Make sure you present the real me. There is nothing worse than a book that sugar-coats the truth and ducks the humanity of the person. I wish you forty years in purgatory if you do that!" Hoping to steer clear of that ignoble end, I have written a book that does not avoid controversy or the seeming contradictions inherent in Mother Angelica's character:

We've always prided ourselves on putting together a great live show. That's something that means a lot to us because our bread and butter is the live tour.

People have to learn... what do you really want from a live show? Do you want people to stand there and entertain you or to challenge themselves and you? It's live music, it's alive.

Performing magic in the live show thrills me. Just get me a deck of cards and some attentive audience, and I have made my day and theirs too

If you become famous and don't have a live show to back it up, they're not going to pay you any money.

I really believe there's more honesty in one live show than there may be in my whole output.

If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.

I always think of the live show first, where the song is gonna go in the show. That's why they aren't sad songs. When I play, I want to make people happy, not sad. It's such a pleasure for me to do what I do, and I want other people to feel some form of that pleasure, too.

The thing about doing concerts is that it's doing a live show. It's on my schedule. It's songs I want to sing. It's saying what I want to say. It's working with the people I want to work with. I don't have to worry about pleasing other people - I can do what I want, and people come along and go for the ride.

I always think of the live show first, where the song is gonna go in the show. That's why they aren't sad songs. When I play, I want to make people happy, not sad. It's such a pleasure for me to do what I do, and I want other people to feel some form of that pleasure, too.

I've said this many times: Rock 'n' roll is this magnet for dysfunctional people who only know how to communicate through the medium of a live show.

Back when I was helping put the swing into the swinging '60s, I used to hang out with Cathy McGowan. We'd be doing 'Ready Steady Go!' on T.V., and Biba used to make our dresses. We'd be in the flat in Cromwell Road on Friday night, just before the live show, and they'd still be sewing.

Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them.

When we cover a Chainsmokers song in our live show with ZBB, people are dancing and going crazy.

On 'Takeaway' we wear these little earpieces because the show is live, but if you push them into your ear they go further into your eardrum and really hurt. One woman flung her arms around us and crushed my head so the earpiece went in. I nearly fainted. I lost my vision for a bit.

She did Gladys Knight." "With the Pips or without? She does it both ways." "With the Pips.

I worked on a weekly one-hour show live from Los Angeles called 'The Dixie Boat Show.' We only had one camera, so there was a lot of panning because it was always on, and anything that went wrong, from actors fluffing their lines to sets falling down in mid-scene, you let it go by.