Quotes About Persona

If you change a woman's look, you change her persona.

Swag is confidence: how you dress, how you move, your whole persona.

To become a star is the beginning of the end. I don't really want to be saddled with a screen persona.

You get to a new school, and you're the new guy, or you're the foreigner, or you're the guy with the funny accent. That first day at school was a whole new opportunity to create a new persona.

It's not until you develop your own voice, your own persona onstage that you become your own comic, who you really are.

As I get older, I'm sort of fascinated with the idea of somebody who could construct an entire persona for themselves - one that was really, in a lot of ways, fundamentally at odds with who they really were as a person.

One of the hallmarks that a British actor brings to his public persona is an adept sense of self-deprecation - see Daniel Craig and Damian Lewis.

I'm a lot more focused on character development and showing more of my character's emotions and persona inside the ring rather than just going move after move after move.

With the stand-up comic on TV, whether it's Seinfeld or Cosby or Roseanne, more important than their knowledge of how to tell a joke is their knowledge of themselves, or the persona they've created as themselves. So that when you're in a room with writers, you can say, 'Guys, that's a funny line, but I wouldn't say it.'

To combat social awkwardness, I would just act like I couldn't be bothered - that kind of aloof persona or aloof demeanor. It's so off-putting.

My onstage persona really is a persona, you know, and really the moment I step onstage, it kind of kicks into gear.

You need someone to ground you because if you start believing that your public persona is your only and real persona, then you're looking at a very long and lonely old age.

My whole comic persona is that of a guy who explores the id: I romanticize gluttony, I romanticize laziness, and people identify with that.

I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love something, I can do it, and it will add to myself as an entertainer.

I think what you think of as the American people embracing - I don't think, on paper, I embody anything of that perceived persona. I think that's what people are latching on to, that I'm different.

The Miz is someone who people are usually like, 'I can't believe how well he's doing. I can't believe this. I can't believe that.' But to me, he's someone who really always defined what it takes to becomes a successful public persona and in-ring entertainer, and to me, that's being authentic.

I believe the best persona to be onstage is the one that comes naturally.

I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself.

I don't want to become a brand and I certainly don't want to have a persona.

So many actors are not open in front of the camera - they have a persona.

It's the persona that makes you a leading actor. A leading actor has something extra that's fun to watch. But it isn't usually about acting.

To hide behind a computer and an anonymous persona to spew hate at another person is despicable.

It's tough to have a movie-star persona when you're on a show as successful as 'Friends.'

I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.