Quotes About Persona

When I write I inhabit a personality that is and is not me.

When you're initially a heel, it's easier to be a heel. I'd rather people hate me than try to get them to love me.

Once you are in the character, you should let your inner actor take over you.

In my mind, I'm not scary at all. I'm channeling my inner Cary Grant!

People think that I am very innocent and elegant, but I am the complete opposite of that.

I'm so loud, as if I know what I'm on about, but deep inside, I'm so insecure. Just a little girl.

I don't do my own Instagram.

I've never been an intellectual but I have this look.

I never wanted to be a public intellectual or a talking head.

Actors go into it because it gives us the chance to play people a great deal more interesting than we are, and to say things infinitely wittier and more intelligent than anything we could think of.

Eric Young is an excellent heel. I think Eric Young is a really, really good heel because he does things intentionally so that you don't want to cheer him, you don't want to get behind him, and you don't want to support him.

I think that people are interested seeing me on the screen.

The most interesting thing about movies is that with every role you get to play a different person.

One of the interesting things about my father was that what you see on-camera is a lot of what he was like in real life.

It's hard to turn my internal dialogue off from that character I become.

I'm firmly entrenched in the Seth Rollins character. It is so close to who I am as a person, we're almost overtly intertwined.

No matter who I'm talking to, I always talk like I'm doing an interview.

If you were ever to interview me after a football game or at a football game or around me during football season is totally different than when you catch me away from football.

Being a funny person does an awful lot of things to you. You feel that you mustn't get serious with people. They don't expect it from you, and they don't want to see it. You're not entitled to be serious, you're a clown.

Besides the neutral expression she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings. Her forward expression was steady and driving like the advance of a heavy truck.

I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.

Leadership is a matter of how to be, not how to do it.

I was trying to be this person who is cool, eternally rocking.

It was almost, with Mr. Waive, like the big words were his way of building a protective fence. Syllables to hide behind.