Quotes About Theater

The premise for me has always been that it's vulnerable people who do violent things. And the more vulnerable they feel, often, the more violent they are. But I think, you know, that's an idea that comes from history, from classical theater, for me.

With acting, it's my job to be emotionally vulnerable and accessible.

When I was in college, I was in the theater department, which for anyone who has been involved in any kind of theater program, you know that it's really wacky and tight-knit, a real family. Me and my good friends from college would do random shows and plays that were sometimes serious, but most of the time really goofy and funny.

The love, support, and respect the members of the theater community have for one another is unparalleled. Say what you want about us wacky drama-types, but one thing that makes our business special is our loyalty, our fierce commitment to one another, and our mutual respect.

Politicians wage broad wars on medicine to claim thin strips of ideological terrain. This would be good political theater if there weren't so many human victims.

To play opera, to play Wagner, it's a great joy.

I think I made $55 a week, and it was bliss... I was doing theater. It was all I ever wanted to do. It was so much fun, and you got paid for it, and you met people, and it's the greatest education in the world. And in my little Greenbrier station wagon, I felt very much like a troubadour.

I've been nominated twice before as actor in a leading part. Now I'm nominated as actor in a supporting part. If I don't win, I'll just wait until I'm nominated for being in the theater during the show. Do they have one like that?

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.

But I can't wait to watch the Tonys this Sunday. I'm really glad Broadway is doing so well this year, especially with its straight plays. It's been a wonderful year.

Please God, I hope my experience in downtown theater isn't over, because I'd love to keep making weird plays. I can't wait for Charles Isherwood to call my next play 'sit-com-y' and tell me to stick to writing television.

I think it was 1987 - something like that - or '86, and I thought, 'When you go equity and you're gonna get paid, you'll finally be able to make a living.' But it was not to be so. I always bartended and waited tables so I ended up not doing theater for about a year because nobody would hire me.

I think that I'm lucky in that, even at levels where I, by and large, wasn't making enough money to sustain my life, I worked as a male nanny, I waited tables and did what I had to, to keep doing theater and acting.

My parents were not at all backstage parents. We had none of that in the family. It was just very clear right away that I was an actor, even from 4 years old. I've never waited a table. I taught some - I'll teach classes in improv or Shakespeare, but there's some motor in me that needs to do that.

The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!

I've been auditioning since I was 20, working as a waiter, getting theater gigs, doing the 'Law and Order's.

My first professional gig was 'Once Upon a Mattress' at the Drury Lane Oakbrook... I was in the ensemble. I was one of the ladies in waiting, and I covered Winnifred.

In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials.

I knew early on that I was a nerd and that films were my refuge. Those first few minutes before the lights went off, and you're alone in the theater waiting, were really pleasurable.

When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.

Did I become a theater person right then, sitting in the Imperial Theater, waiting for the high piccolo note at the start of 'Pippin'? Maybe.

I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.

I majored in musical theatre performance at college, then went through years of waiting tables and temping while looking for acting work.

I always thought moving to New York would mean starting over in theater, because I had great work in Chicago and didn't want to become a waitress here.