Quotes About Theater

Will and I are thinking about writing a movie," Ben said. "It's called Theater Closed for Repairs.

Actors are not a great breed of people, I don't think. I count myself as something of an exception. I grew up in the theater, and my values were about the work, and not being a star or anything like that. I'm not spoiled in that way, and if I fight for something, it's about the work, not about how big my trailer is.

'Abraham Lincoln: Vampire Hunter' is without a doubt the best film we are ever likely to see on the subject - unless there is a sequel, which is unlikely, because at the end, the Lincolns are on their way to the theater.

When I came back from filming 'Abduction', I told my agent: I'm staying in London now. If it takes doing children's theater from the back of a van in Kilburn, that's OK. I need to be with my family. My job is to keep the family together and provide for them.

Stevie Van Zandt could not walk on to a set and act. I don't know how actors do that! It's the scariest thing in the world.

When I left drama school I was prepped to be in shows and tour around England by van.

The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.

My strength as an actor is in the theater - I know that about myself. Some actors get onstage and vanish, but I'm much better there than I am on screen.

I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

When doing theater, you have to find great satisfaction in the small things. There's going to be a repetition and a redundancy night after night, but it's the small variations in those moments - a word, a tone of voice, the smallest sense of enlightenment that can happen in an instant onstage - that will be the most rewarding.

I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.

I love musical comedy; I love comedy in general, and I have varied taste in terms of books, film, theatre, and culture.

At the end of the day, you're saying lines and playing pretend. All that varies from show to show is the level of the intensity and the terms of the expectations you place on yourself.

I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'

The Broadway audience is made up of a greater percentage of tourists now. There's not nearly as much variety and danger and challenge in what's being offered.

Variety is the thing for me to be able to work in theater and be involved in more films and TV movies that say something.

I want to do everything. I just want variety and longevity. I've never filmed a movie before, I want to do that. I want to come back to theater at some point. But I was in New York for like ten years, grinding. I'm ready to be in L.A. for a little while, and really experience film and television.

I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.

Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.

The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.

I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.

It was in college that I learned the basics of theater, the entertainment industry, and various mediums.

Vary the pace... is one of the foundations of all good acting.

The cultural center of Asia Minor, Pergamon boasted a vast library of 200,000 scrolls, a spectacular 10,000-seat theater, and a monumental Great Altar decorated with sculptures of the Olympian gods defeating the Giants. People came from all around the Mediterranean seeking cures at the famous Temple of Asclepius, god of medicine.