Quotes About Theater

Every time I do a play, I'm like, 'When do I get to do the one where I wear a gown, sit in a chair, and say funny things?' I'd love to do that.

I want to show that theater isn't just talking about feelings or people wearing tights.

I thought theater people wouldn't see me if I hadn't trained. I didn't want to just be the Brideshead guy, to spend the rest of my life wearing waistcoats. I got the chance to try everything. Not just Romeos, but pimps and grandfathers and even one role as a woman in a Naomi Wallace play called Slaughter City.

Actors have an unusual perspective on clothing. You've really got to know the impact of what you're wearing on the character you're playing.

Christopher Walken could literally read a phone book and fill a theater, and it would be interesting to watch. I've often wanted to produce a show and ask him if he'd do that. All week long, he could read the As on Tuesday, the Bs on Wednesday; we'd see how long it would last.

I watch a lot of movies. I've watched movies since I was a kid. My dad brought me to the theater once a week. Always - it was a must. So I think that influenced me a lot to be an actor.

Charity in the theater begins and ends with those who have a play opening within a week of one's own.

I've been doing a lot of work with my brilliant trainer Pat Manocchia, who has a gym called La Palestra. He's trained me for every big show I've done, every demanding 8-show week role that requires stamina, like 'Sunset Boulevard' and 'Gypsy.'

Trust me, there's not one night a week I'm not in a theater somewhere. I adore theater, and I go out with friends, so I do have some nights off.

I was really into dancing, taking six classes a week, and my real dream was to be in a Broadway show.

I grew up in a drive-in theater, from the time I was 8, working in a snack bar watching four features every week. It was silent theater in the sense that this was a drive-in, which meant that I often saw the films going with no sound. But I learned to tell stories through action.

Flops are always disappointing, but 'High Fidelity' was devastating. Not that I thought it was going to make me a big star, but I did think it was going to run longer than a week and a half.

It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.

If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.

I come from a family of actors. My grandfather was like a Laurence Olivier with the Comedie Francaise. Since I was four I went every week to the Comedie Francaise. My aunt and grandmother were there, but my grandfather was a big star.

In 'Angels in America,' I got to fulfill a lifelong dream. I was in the air eight nights a week for two years, and I just loved it.

My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.

I really hate people that spoil stuff by putting scripts online. I don't mind so much people that do movie spoilers when the movie is out in the theater. If you haven't gotten there the first weekend, it's on you to not read reviews or anything. But to put up screenplay reviews just kills me.

I've seen all the Batman movies in the theater opening weekend. I was a big Batman fan, definitely.

I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.

It is as polar opposite as it comes for the man who was Edna Turnblad in 'Hairspray' to come back as Sweeney Todd.

While I was in 'Inadmissible Evidence' at the Donmar, I was mugged at the HSBC ATM on Shaftesbury Avenue. I grabbed one of the men, and when the police arrived, they put both me and him against a wall until they worked out which of us was the criminal.

Many people mistakenly think of farce as broad low comedy. In fact, it's polished high comedy.

The list of my favorite experiences would almost equal the list of plays I've been in. There are a few exceptions, but out of politeness I'm not going to mention them. If you don't have a few stinkers, you can't appreciate the good ones.