Quotes About Freestyle

I'm very open and never write what I'm going to say. Speeches bore everybody else. I have to freestyle. Every time, from one program to another, everything changes and I improvise.

I always loved hip-hop, being a black little kid. I always used to freestyle on the bus when I was young. It was always a part of my life.

When I was coming up, a freestyle wasn't a freestyle unless everything was completely improvised, in-the-moment and right there, and you had to incorporate various elements of what was going on in the room on the day.

There's a lot of indigenous wrestling styles there that used to be a lot more popular and stronger within the European continent. Although, there's still quite a few countries over there that produce pretty spectacular Greco and freestyle wrestlers.

I am into professional wrestling. Only Greco-Roman and freestyle wrestling can qualify in Olympics. I chose professional wrestling for fame and limelight and good money.

I will say, I can definitely throw down a sick beat once in a while and provide an amazing backup track for somebody who can really, actually freestyle.

I've always been indie.

I don't really have a writing process. I don't write at all but, honestly, I feel like it's a modern-day writing because everything is technology and if I go in there and freestyle and I keep it, I feel like I wrote that. If I go in there and fix it, it's almost like something I wrote.

I was a freestyle dancer; I wasn't trained.

In summary, learn to breathe quickly with a low-profile breath to reduce frontal drag. Release some air from your nose after the breath, while looking down, not forward. Adopt the breathing pattern (respiratory rate) that is appropriate for the event, your age, aerobic fitness level (VO2 max), and your freestyle technique (stroke rate). Once you do all of that, you will find that the breath in freestyle doesn't have to be so problematic after all.

good technique includes quick changes, great variety and speed. It may be a system of reversals much like a concept of God and the Devil. In the speed of events, which one is really in charge?...to put the heart of martial arts inyour own heart and have it be a part of you means total comprehension and the use of a free style. When you have that you will know that there are no limits.

Brock Lesnar from the Minnesota. He is one of the best wrestling background, like Iron Sheik and like the Kurt Angle, Dan Gable. He the real freestyle wrestling.

Umm... my favourite Wizkid tune of all time would be 'Don't Dull' 'cos I recorded the track in, like, 5 minutes. The beat was ready, we went into the studio and freestyled, and it was ready. The song became really, really big, so I think 'Don't Dull' is still my favourite.

I must say, I've been in the studio with Jay Z, dog... I thought the freestyle thing was a myth. But, bro!

As an MC, I come from a background where the onstage experience is freestyle-based: you never know who's going to join you on stage, or what you're gonna do, or how long you can stay on. You kind of lose that, once you get on to recording albums and going on tour. Doing Africa Express has brought me back to that excitement - for the unexpected.

Januzaj is someone a bit like Origi, there's no pressure and he plays like he's on the street.

When I found Freestyle Fellowship, I started getting into the construction of rap. You get better at it the more you do it; you figure out the science and the math behind it.

We do Greco-Roman, freestyle. The Old Country way. No gimmick wrestling in my house.

While I will always have the utmost respect for the superhuman out-of-bounds freestyle and extreme stunts that seem to continually progress beyond our imaginable limits, my highest appreciation goes out to the simple rider who's out there just for the experience.

I am a freestyle mogul skier who, on February 13, became the first American to win a gold medal at the 2010 Vancouver Olympics.

I'm a freestyle creative entrepreneur. Not a businessman. I like to create ventures in which creativity stands at the centre.

That's one thing I learned from B.I.G. He was always heavy on versatility. I'm able to take an R&B record and rip it the same way I rip a regular freestyle or a hardcore beat, be able to put that same twang and seasoning on anything you do.

Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.

If you feel that you can just come in the studio and freestyle on my song, then I'm ready to rap battle you. That's just how I feel about it because I know I'm way harder than another rapper freestyling on my song.