Quotes About Paris

Depuis l'enfance et l'adolescence, j'éprouvais une très vive curiosité et une attirance particulière pour tout ce qui concernait les mystères de Paris.

Bat Parisul in lung si-n lat de jumatate de secol, astfel ca fiecare cartier imi evoca anumite lucruri, anumite intalniri, adesea ramase fara viitor. In memoria mea totul se amesteca: locurile si persoanele, amintirile intime, lecturile. Nu prefer anumite zone, ci pur si simplu uneori am ciudata senzatie ca as putea sa dau peste niste oameni pe care i-am vazut cu decenii in urma, impietriti si ramasi la varsta si infatisarea de atunci, asa cum se suprapun spatiile-timpuri in unele romane SF.

Patrick Modiano

Si yo no diera fe de ello, no quedaría huella de la presencia de esa desconocida y de la de mi padre en un coche celular en febrero de 1942, en los Campos elíseos. Sólo serían personas —muertas o vivas— a las que se clasifica en la categoría de "individuos no identificados

Je préfère remonter à pied les Champs-Elysées un soir de printemps. Ils n'existent plus vraiment aujourd'hui, mais, la nuit, ils font encore illusion. Peut-être sur les Champs-Elysées entendrai-je ta voix m'appeler par mon prénom...

Patrick Modiano

molto tempo dopo, qualcuno mi ha assicurato che l'unica cosa impossibile da ricordare è il timbro delle voci. Eppure, ancora oggi, durante le mie notti insonni, sento spesso la voce dall'accento parigino - quello delle strade in salita- dirmi:"Allora, la sta trovando la sua felicità?". Una frase che conserva ancora oggi tutta la sua gentilezza e il suo mistero.

He had us sit on a bench, then he posed us in front of a wall shaded by a row of trees, on Avenue Denfert-Rochereau. I've kept one of those shots. My girlfriend and I are sitting on the bench. To me it's as if they were other people, not us, because of the years that have passed, or maybe because of what Jansen saw through his lens, which we wouldn't have seen in a mirror at the time: two anonymous teenagers lost in Paris.

I was amazed that the roar of traffic had stopped farther over toward Denfert-Rochereau, as if the feeling of absence and emptiness that Jansen left was spreading in concentric circles and Paris was gradually clearing out.

Son seres que dejan pocas huellas tras de sí. Personas casi anónimas. Nunca se alejan de ciertas calles de París, de ciertos paisajes de suburbio donde descubrí, por casualidad que habían vivido. Lo que se sabe de ellas se resume en una simple dirección. Y esta precisión topográfica contrasta con todo lo que se igonrará para siempre de su vida... ese vacío, ese bloque de desconocimiento y silencio.

He had soon so thoroughly smelled out the quarter between Saint-Eustache and the Hôtel de Ville that he could find his way around in it by pitch-dark night. And so he expanded his hunting grounds, first westward to the Faubourg Saint-Honoré, then out along the rue Saint-Antoine to the Bastille, and finally across to the other bank of the river into the quarters of the Sorbonne and the Faubourg Saint-Germain where the rich people lived.

I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate, or just never come back, I needed some breathing room. I'd already been translating French poetry, I'd been to Paris once before and liked it very much, and so I just went.

With an apple I will astonish Paris.

Ross sounded slightly defensive. 'No.' 'We've been a bit busy,' said Sefton. 'Paris is quite something. Cork I didn't really understand. Northampton is kind of . . . cute. Barnsley is delightful. New York is exactly what you'd expect.

It was a tremendous errand that was taking her to Paris, but she hoped in the accomplishing of it to have as little to do with the French people as possible.

Number 18, Rue Dennequin.

Moi, je ne puis, chétif trouvère de Paris, T'offrir que ce bouquet de strophes enfantines : Sois bénin, et pour prix, sur les lèvres mutines D'Une que je connais, Baiser, descends, et ris.

We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other.

In Paris, you couldn't really turn around without seeing the result of lovers' bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.

Nearly anyone might feel like a painter walking the streets of Paris then, because the light brought it out in you, and the shadows alongside the buildings, and the bridges which seemed to want to break your heart, and the sculpturally beautiful women in Chanel's black sheath dresses, smoking and throwing back their heads to laugh. We would walk into any café and feel the wonderful chaos of it, ordering Pernod or Rhum St James until we were beautifully blurred and happy to be there together.

Those early days in Paris were nearly forty years behind him and yet, in the final pages he writes of Hadley, "I wished I had died before I ever loved anyone but her.

I finally had to admit that there could be no cure for Paris.

I did finally make it to Paris, in June of 2010. And though most tourists go straight to the Eiffel Tower or the Louvre, or to Notre-Dame Cathedral, I headed for the chipped blue door of 74 rue du Cardinal Lemoine, Hadley and Ernest's first apartment in the Latin Quarter. The

If the women in Paris were peacocks, I was a garden-variety hen.