Quotes About Dialogue

His response to any question is a counter-question.

Note that the salesman never responds directly to any question that might give you information.

You do not change people's minds by defeating them with logic.

A lot of reporters don't have conversations - they just fire off questions. I'm going to listen to what you're saying. If you start giving me a pat answer, I'm going to challenge you. That's where my sports background helps, because athletes do it all the time. So you have to stop them... and sometimes they're going to yell back at you. So what?

It's so easy to be polarised and yell from different sides of the room about certain subjects, but I think it's so much better to walk into the middle and have a conversation to drive change forward.

Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.

I went through a political shift when I was nineteen or twenty. I felt a certain way, and after the shift, I felt the opposite way. And never once did someone yelling at me or making me feel stupid do anything other than reinforce the convictions I had. What did get to me was people listening to me.

In my experience, yelling at people that they are wrong and disgusting rarely wins the argument, nor changes point of view.

By the way, if you do your job on behalf of your country, you have meetings where you put your position forward strongly, and the other side does the same thing. And I've had plenty of meetings in my career that really were heated, people yelling at each other.

Everyone should be talking to each other to find out why they have the views that they do instead of just getting on Facebook and yelling at each other. Nobody really, really talks. They don't listen.

A lot of times, it seems like social media has devolved into people just yelling at each other and not really conversing.

Yes, we do need better representation, but I'm a big believer that we also need to talk about the Uluru Statement of the Heart. We need all of Australia to understand what it was, and is, and what that movement is about.

As women, we must speak out, speak up, say no to our inheritance of loss and yes to a future of women-led dialogue about women's rights and value.

I guess if I was made responsible for every single line of dialogue in a game and every single piece of textual visual detail, every sign or piece of graffiti, then yes, I think that would be comparable to the time and effort required to write a very long novel, indeed.

As Americans, we have to be honest and ask ourselves a question: Do we really want to tone down politics? I always hear a resounding 'yes,' and I think most people mean that genuinely. But do our practices ever change?

Yes, I, well, when I write, as often as I can, I try to write as if I'm talking to people. It doesn't always work, and one shouldn't always try it, but I try and write as if I am talking, and trying to engage the reader in conversation.

Well, I like how people talk. I like language. You know, Linda Richman spoke in Yiddish.

From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.

With the accent, it's an internal dialogue that Southerners have with themselves. We kind of carry around that shame, that feeling of being inferior to the North. I think I did lose some of the accent for a while. Because when I was a graduate student, I was terrified at having to get up in front of a roomful of smart New York kids.

If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.

I find you can lose yourself in an acting sense in a fight far more easily than you can in a dialogue scene, and I love that about it. We try as actors all the time: we strive just to completely sort of lose ourselves in the moment, and we never quite get there, but in a fight, you can do it in seconds; that is what I love about it.

I've always been interested in technology, but specifically how we can use machines to engage the imagination. I started using computers when I was young and was fascinated by creating rules and instructions that allow a computer to engage in a dialogue with humans. The stories found in the data all around us can do just that.

In order for critical pedagogy, dialogue, and thought to have real effects, they must advocate the message that all citizens, old and young, are equally entitled, if not equally empowered, to shape the society in which they live.

I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where to end, and they'll waste a lot of time making this perfect shot, an establishing shot, and then there's no time left to shoot the dialogue.