Quotes About Chinese

Wushu is a move in Chinese, a physical move. An attack. Wushu is like an art.

If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.

Chinese people as consumers, while they've always valued food and beverage for the health food qualities, they are also now wanting it in terms of other values: 'Does this speak about my position in society? Am I now middle-class, and does this matter to me?'

The ward designs were co-created by myself and Lauren K. Cannon. She read how they were described in 'The Warded Man,' and we had long discussions about what sources to draw from for the symbols, drawing inspiration from Arabic, Japanese, Chinese and Sanskrit.

I love tattoos. And mine symbolise who I really am. I have a Samurai on my left arm. At a subconscious level, I connect to this warrior and model myself on his discipline, skills and honour. There is also a tribal tattoo and a Chinese symbol of faith. I have seen a lot of people getting tattoos just because it's a trend.

Trudeau claims he's wary about Chinese espionage, but also says there's nothing wrong with Chinese state-owned enterprises buying up as much of Canada's resource sector as it likes.

On that day, nothing could have seemed more romantic to me, no other scenario more like real courtship, than a Chinese movie and a hand job under a coat.

The Intelligence Bureau was mistakenly of the opinion that the Chinese would not react to our establishing new posts and were not likely to use force against any Indian post even if they could.

This was contrary to the military intelligence, which clearly indicated that the Chinese would resist by force any attempts to take back territory held by them.

One of the first jobs I did was a commercial, a local commercial on the Chinese channel here in Los Angeles, and the whole thing was in Cantonese, I think, and I didn't have any lines, but I was kind of the focus of the commercial.

I am an eighth Chinese, and I come from a large Chinese-American family in Los Angeles.

My father was a big Bruce Lee fan. He's Chinese-Hawaiian, and my mother is Chinese. He used to take us to all these really fantastical films with martial arts in them.

My Chinese zodiac is a dog. But I'm an exception because of how much I love cats.

Food is the main engine that drives connectedness, relationship in Chinese society.

I love being part of the Chinese scene as a businessman. That doesn't mean that there aren't short-term discomforts and adjustments.

I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.

We want to make sure that we have the right products for Chinese people.

When E.U. governments are able to agree on political and economic policies, they will remain a superpower to influence the Americans, the Russians, Indians and Chinese over the coming decades. Britain on its own would resume the decline which continued through most of the 20th century.

Chinese people have that superstitious fix - people always do feng shui when they are opening a shop; even the Hong Kong Shanghai Bank pays people to do feng shui for them.

Chinese people today have strong demand for culture, but we need effective supply, and China needs innovative cultural products.

Foreign interference in America's agriculture supply chain poses a serious national security threat, especially given that the worst proponent is the Chinese Communist Party.

The Chinese government supports Chinese companies in going global. But we believe that this process should be market-oriented, with companies being the main driver.

My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.

For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.