Quotes About Impression

We're trying to get good pictures. Don't worry very much about what I say.

I would worry if people always associated me with Larry Sokolov.

In many cases your imagination is much more effective than what can be shown. It primes you to know something is about to happen - the anticipation and anxiety is worse than what ends up happening.

Most people, it seems, stretch the truth to make themselves seem more impressive. I, it seems, stretch the truth to make myself look worse.

I think America has dealt with - I mean, this is simplistic, and of course I don't live in America - but the impression I get is that there is not a kind of obligation to dislike those who are better off or be frightened of those who are worse off.

The worst is when you bomb and when you bomb in front of someone you're trying to impress. That's the worst.

K. Michelle was the worst guest for me.

One of the worst things to come out of the Consumer Protection Board's misleading claims is the impression that government resources are to hard to get and just aren't available for regular people like you and I.

My point was to always have my spectators leave saying 'hot damn I got my money's worth.'

The process of finding my voice as SpongeBob was to start by watching what Tom Kenny did, trying to do an impression of sorts, and then forgetting all about it and letting the voice become a second-nature thing.

When you're driving Tom Cruise around, and he's literally a race car driver, and you're supposed to be driving like you really know what you're doing... It's quite intimidating.

People don't know what star-struck is until they've met Tom Hanks.

I never craved having people leave a show saying, 'He's really intelligent, isn't he?' I didn't watch Tommy Cooper and think, 'Oh, he's so bright.' He just made me laugh.

One of the most ephemeral and important things is atmosphere and tone and it's very hard to put your finger on what creates that.

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.

It's funny, because people always say when they meet me, having read me - or they read me, having met me - that they are struck by how the tone is pretty similar, in real life and in the books.

I've met Tony Danza. He was really nice. And he looks... I feel like he hasn't aged. He looks exactly the same. He's just Tony Danza. He's exactly the same as he's always been.

The reason we know as human beings that pictures have to be focused before you take the shot is because we know if we're not focusing our eyes on something that happens, then it's too late - you can't go searching in your memory to find it because that light never struck your mind.

I use my hair as a tool for portraying characters. When I'm auditioning for a role, when I'm putting myself on tape for something, I always consider what the hairstyle is going to be because it changes the way people perceive me.

Strangely enough, I really think that shoes are a communication tool between people.

There's usually one piece in 'Vanity Fair' every month that grabs me, but when it presents hatchet jobs without substantiation to impress its liberal friends, I laugh first, then toss.

The way that you present yourself visually totally dictates your audience and everything that anyone thinks about you.

Según la impresión general, los vencedores del día no fueron los nazis en absoluto, sino los de la derecha burguesa, que habían «pescado» a los nazis y habían ocupado todos los puestos clave del gobierno. Desde el punto de vista jurídico constitucional, aquel suceso fue mucho más normal y menos revolucionario que la mayoría de acontecimientos ocurridos el año anterior.

Sometimes a person who is utterly devoid of charm will try to create a good impression by using very elegant language; yet he only succeeds in being ridiculous.