Quotes About Impression

She drew the main outline, keeping her fingers on the ferrule—the metal piece that clamped the bristles to the handle—and created a nose, mouth, and eyelids. For a moment, she wondered what color his eyes might be, then shoved aside the macabre thought. He had a strong, square jaw, his hair pushed back, looking sticky from the dirt that had been thrown directly onto his face.

A man should cause an impression," she said. "He should leave you with something to think about. Without that, there's no magic.

Either you have the feeling or you don't. Hawk Davies

You either have the feeling or you don't.

An image is not simply a trademark, a design, a slogan or an easily remembered picture. It is a studiously crafted personality profile of an individual, institution, corporation, product or service.

Much of what we have been doing to improve the world's opinion of us has had the contrary effect. Audio-visual aids which we have sent over the world are primary aids to the belief in the irrelevance, the arrogance, the rigidity, and the conceit of America. Not because they are poorly made. On the contrary, because they are well made and vividly projected. Not because they are favorable images or unfavorable images, but because they are images.

I am best viewed from a distance.

I am best viewed from a distance... and at night.

There are always two people in every picture: the photographer and the viewer.

A still image attracts the viewer with an overall impact, then reveals smaller details upon further study.

Everything you do is about creating an experience in the viewer's head. If you're rude or irritating as a performer, then your magic is irritating.

The real change that paintings undergo is in the perceptions of the viewer.

When I am preparing my 'lookalike' photographs, I think about the character of the real people, because, if the photographs are going to be plausible, you have to convince the viewer that they could have happened.

The painter has total control over what they're showing to the viewer.

My job is very simply that of a photojournalist. I want to stop people's eye on the page, I want to move the viewer to laughter, to sadness, sometimes to wince - not to impress other photographers.

If you don't take your clothes seriously, why should your viewers take you seriously?

For a combination of reasons, and despite evident fondness for American products and individuals, my impression is that most Pakistanis have extremely negative views of the U.S. as a geopolitical player.

The villain is the character that the people remember.

'The Villain' is another project with Mohit Suri under Balaji Productions. It was again very tough to impress him even after 'Sun Raha Hai' but some how I manage to get in.

This marched was planned to be non violent and non confrontational, and gladly it stayed that way. What really impressed me was the self discipline of the Black Block.

My parents and two sisters were great musicians but my family's approach to music was always way more academic than mine. They were virtuoso players. But they were all impressed that I could sit down at a piano and find a melody. We had a different approach, we had mutual envy.

There's a degree to which music bypasses our rational brain and accesses our emotional core in a way that's really visceral and allows you to make a strong impression on people without necessary delivering information.

I don't know what the inspiration for most of songs really mean until I finish them. For the most part, I'm going for a visceral impression, and I write the words last.

People don't always remember events or conversations clearly, but they do remember with great accuracy how an experience made them feel.