Quotes About Impression

I went to China for a brief working visit, and I thought that Shanghai was interesting, but Beijing totally grabbed me.

I believe that the concept of 'design' encompasses every aspect of customers's exposure to a brand, from the moment they hear about us to the first time they visit our store to the process of ordering and anticipating the arrival of their glasses.

Bowdoin was the first place that I fell in love with. When I visited, I just had never been to a place with that many resources and that much access to information. That was stuff that you saw in movies. I didn't know that existed in real life.

We have this impression of Africa being a large mass of homogenous land but Africa is actually very diverse. I had shot for 'Vishwatma' there ages ago and then visited again for my honeymoon.

When I was visiting schools, I wanted to go and see what they got. After my visit, I knew that Kansas was good.

Fanny and Alexander' blew me away. I was visiting my sister in her first year at university. It was my first foray into something dark.

The first thing that strikes a visitor to Paris is a taxi.

I'm not one of those professors whose office is encased floor-to-ceiling with books. By the way, I think academics do this to intimidate their visitors.

The book begins and ends with the visits to give the impression of a tunnel into their ancestors and family history. I believe in going backwards into the past - I felt I was digging a tunnel back to the past.

When '36 Chowringhee Lane' was released in 1981, I was a student of the Film and Television Institute of Tamil Nadu. Everyone who had seen the film was very impressed with its flawless direction and acting. But we, cinematography students, were stunned by the visual style, which was truly international.

Guys are so visual.

Men are visual creatures.

That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.

When I watch a movie I don't really care too much about the plot - not that it isn't important, but what I remember is the visual imagery, something that happens in an individual scene.

I know that everyone who listens to radio creates you in a visual image that they need you to have. Whatever that is, I thought, let them have it. Let me be who the listener needs me to be and let me not contradict that with the reality of my photograph and risk disappointing them.

I don't really think too much about special effects because that's not really something I can clearly visualize, so I leave that to the pros.

There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!

When I read books, I actually really love imagining whomever I want to in the character's role. I get such vivid pictures on my own that that is a big part of the experience for me.

After you've read a novel, you only retain a vague memory of its contents. You remember the atmosphere, the odd image or phrase or vivid cameo.

You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.

The thing about covers is that the first thing you're going to notice is the vocals, because it's not the same person.

I'm actually quite a nice person. It's to do with the way I look, an uncompromising sort of face, brusque delivery and voice, and I think the combination of all that. When I'm doing pantomime, children will scream the place down before I open my mouth. There's obviously something that really gets them.

I talk in that baby talk voice when I'm on TV, it's a put on.

Radio leaves much to the audience's imagination, allows the listeners to fill in so much, provided that the voices convey enough.