Quotes About Impression

I loved the Fonz as a kid. He just clicked his fingers and the girls would go wild.

Son, give 'em a good show, and always travel first class.

What drew me to acting in the first place was disguise.

I know there are people, if I go into a market or a city for the first time, there are people that are there that just want to see the famous person, or the guy from 'Dumb and Dumber' or whatever movie they liked. And that's fine, it gets them in the door, but then it's my job to give them something different.

I have been opposed to ceremonies at the White House. It gives the impression that the court is subordinate to the executive, which I think is quite wrong.

I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'

Even though the weight I'm lifting isn't what it was when I was playing, it's not like I'm not lifting weights that are heavier than the common person would lift. I think a lot of people look at that and say, 'Whoa!'

Whoever utters 'Kafkaesque' has neither fathomed nor intuited nor felt the impress of Kafka's devisings. If there is one imperative that ought to accompany any biographical or critical approach, it is that Kafka is not to be mistaken for the Kafkaesque.

I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.

We're all products of what we want to project to the world. Even people who don't spend any time, or think they don't, on preparing themselves for the world out there - I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.

I have to assume that everybody interprets a piece of art they're exposed to as if it's already perfect in its wholeness, without knowing any backstory.

Everyone was surprised then that our music got such a foothold because they said 'You're so fresh-faced and wholesome.'

The present practice is to impress one's own discoveries, opinions and principles on the child by constantly directing his actions. The last thing to be realised by the educator is that he really has before him an entirely new soul, a real self whose first and chief right is to think over the things with which he comes in contact.

A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?

Bray Wyatt is like seven feet tall and seven feet wide.

When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'

You walk in and he's an A-list actor, so you're like, 'Oh my gosh it's Bradley Cooper! Let me make sure my wig's on right!'

When we first played Max's, people thought Cindy and I were drag queens - we wore these gigantic wigs that sort of his our faces.

You know, there's that temptation in interviews to make yourself sound - well, to give yourself a bit of mystery.

Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.

Ten flashing lights are a nuisance but 500 are fantastic.

Somebody told me a story where they met a celebrity when they were six years old, and the celebrity was really mean. They still remember that to this day. I never want some 22-year-old in ten years' time to say, 'I met Madelaine Petcsh, and it ruined my idea of celebrities,' so I'm always aware.

If someone has an ability to impress an audience there's a tendency to be tempted into doing just that.

The popular idea that a child forgets easily is not an accurate one. Many people go right through life in the grip of an idea which has been impressed on them in very tender years.