Quotes About Music

I would go on the iTunes chart and see the hottest songs, then I'd cover them. People would go on YouTube and search for those songs. That's how I got my views. I'd post two or three songs a week.

Distribution has really changed. You can make a record with a laptop in the morning and have it up on YouTube in the afternoon and be a star overnight. The talent on YouTube is incredible, and it can spread like wildfire. The downside is that it's very hard to convince the younger generation that they should pay for music.

I was one of the first artists to have a YouTube account, if not the first. I joined two months after the site launched.

The new artist is meeting the general public before they meet the record company. They're able to put the material on YouTube and have a million views before they even meet an executive at a record company, and get the deal based on that.

One of the biggest things that happened for me was YouTube.

I'm honored when young people say they've gone to school on slide guitar with my records. But people get their influence from my live shows and records and YouTube, not me personally. I walk around with a hat on. People don't know it's me.

I record cello Etudes that are fewer than four minutes long and post them on YouTube. How can one execute fully-formed ideas with utmost perfection, yet stay free enough to allow improvisatory nuance? This has immediate application in almost every area of life, but especially in performance.

It's so crazy to see people singing along to songs that aren't even released yet. I'm like, 'How do you even know the lyrics? Have you been watching YouTube?'

I listen to a lot of Tibetan music before I sleep. I'll just type in 'Tibetan meditation music' on YouTube, and within 15 minutes, it knocks me out. I sleep like a baby.

I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.

I learned piano off YouTube and still do a lot. It's hard to find contemporary indie music on there, at least lessons, because the reach is smaller. I did it so people like me out there could learn my songs if they wanted to and maybe, in a small way, to pay forward all the free lessons I've had over the years.

I first went on YouTube aged 15, and people were saying, 'Why not do this cover?' Then they wanted to hear my own stuff live, and it escalated from there. Selena Gomez's parents found my videos and manage me to this day.

Before YouTube, I was playing in restaurants and doing open mics - every once in a while, I'd throw an original in there. And then YouTube kind of just opened doors for me, so once I felt like I had an audience to share music with, I began to share my original music.

I was putting songs on Facebook and YouTube just for my friends. When one got over 100 plays, I would do a dance. The first time someone that I didn't know commented, it was a dream come true. A year and a half later, I played 'Fallon.'

I ended up having my first girlfriend when I was 13, and she was obsessed with Justin Bieber. I remember watching the 'Baby' music video and being so jealous of him. So I posted a cover of 'One Time' on YouTube, and she loved it.

I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.

In 2011, I released my first album called 'International Villager.' I had no support, and whatever money I had made, I put it all in the album. I shot the music video for 'Brown Rang' with one lakh dollars. I spent so much money, as I just wanted to put it up on YouTube, as I knew that my market was there, and it became a huge hit.

After putting out songs with 26 million views on YouTube, your life changes a little bit. Suddenly everyone's like, 'Where's the album?'

I started my whole career on Soundcloud and YouTube and was always looking for recourses to make music.

When I wasn't working, I was learning how to use production software on YouTube and making music.

When we started making mixtapes, we were just ripping stuff off YouTube and DVDs, naively thinking that because we were putting it up for free, it was gonna be fine.

I put on YouTube one single and, in 20 hours, have five million, six million people.

I started going on YouTube and studying everybody who was super popular, from Taylor Swift to Beyonce to Michael Jackson to Chris Brown, just everybody... That's what helped me find my voice and helped me find how I write songs, just doing covers.

Our album stuff, we bring it to our producer to help us finesse. But anything that's been on YouTube and a lot of the stuff that's been on the album, too, it started from us just sitting around in a circle and jamming it and finding where the parts fit.