Quotes About Music

Dance, cher?" he asks, his blue eyes playful. I nod and he pulls me gently into his arms. He's warm. We sway to the music and the gentle rocking of the boat. His hand rests on the small of my back, in that sweet spot that makes you feel feminine and protected and adored all at once.

On my morning run, I listen to sports talk radio.

It was hard for her to understand why Arlette was alive when Freddie Mercury, for example, was dead.

Music had always conjured up a sense of another life . . . of other, better ways of feeling and existing and being.

You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.

What are you listening to?" "I picked up a DVD for Luke while I was out. Something with Mozart and sock puppets." A grin rose to my lips. "At this stage I don't think Luke can see more than ten inches beyond his face." "That explains his lack of interest. I thought maybe he preferred Beethoven.

Ain't nobody making music to not be heard and the easiest way to be heard is to be on the radio, but you should never compromise who you are, your values or your morals.

The problem is that a lot of the blues stations are late on Saturday night, and like a lot of people, I ain't no vampire!

Before 'The Vampire Diaries,' I was making beats, which is how I got will.i.am's attention, and I went on tour with him.

I love John Denver. Townes Van Zandt is one of my all-time favorites.

All the musicians I loved growing up were men. I loved Leonard Cohen, Mick Jagger. I loved Alex Turner from the Arctic Monkeys. Even today, I love Van McCann from Catfish and the Bottlemen and Matt Healy from The 1975.

I think it's important for bands to rough it. Whether you're in a van or a bus, it's still tough. You still have to stand in a two hour catering line with flies everywhere in the heat, and you still have to lug your gear.

I can't deny that Eric Clapton's and Eddie Van Halen's lead stuff has influenced a stack of people, but for me, it's the rhythm thing that's way more impressive and important to a band.

Every job has its downside. For example, being in a band; the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.

When I was a kid, and it was time to go to college, I thought, 'College is for people who don't have the street smarts to make it on their own - get in a band, get in a van, and get rockin'.

When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.

Limp Bizkit is my main priority, but my side project, Black Light Burns, is still a labor of love. We have a record written, so we'll see when that comes out. When we tour, we go out in a van and trailer with me driving.

What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.

Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.

I realize that I've had Ian Van Dahl: 'Castles in the Sky,' the Ibiza jam, periodically stuck in my head for years, like years of my life. Every now and then 'Castles in the Sky' will just happen. Maybe that's some sort of indication that it's actually my favorite song of all time.

I spent a lot of time lifting my drums into a van, playing to ten people night after night. I can't complain about anything now. That stuff was heavy.

I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.

Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.

When I first started touring, we had a crappy van, and we would all share rooms. So for many years as a grown adult woman, I would share a bed with a bandmate, whether it would be Jimmy Tamborello from the Postal Service or Pierre De Reeder from Rilo Kiley, just a pillow barrier between us sleeping on the same bed.