Quotes About Music

I just didn't expect an acoustic version of Rock'n'Roll All Nite.

Almost every second film today has a rehashed version of an old song. In fact, even non-filmi songs are now being rehashed and used in Bollywood films, which is a good thing. But I don't want to be a part of that trend, not as a composer or as a singer.

I got an opportunity to be on a tribute to the Rolling Stones in the late '90s and did a rockin' version of 'Paint It Black' - that's probably the biggest stretch of anything that I've personally done. I listen to a lot of different kinds of music, but I understand where my parameters are.

My dad still hasn't heard 'I Love My Dad,' and I'm sure he'll say something like, 'It's good, but I love your version of 'Little Drummer Boy'!' My dad loves my live albums - he's obsessed with the live version of 'Little Drummer Boy' for some reason.

My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowing the chart.

Man, my little boy wanted to hear some new music. So it was like, I can't just play all my music around him, so I got to go ahead and make a whole project so I can get it clean, and have a clean version of all the songs just so he can listen to my music, you feel me?

I even done a doo-wop version of the Mickey Mouse march.

I had another version of 'We Dance' that was kind of glam-rock. It was a little 'Taking Care of Business' mixed with Simon and Garfunkel. But on the album, I did it in a down-and-out way, like the Frogs or David Bowie or something - a little torch song thing.

I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.

The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.

I think recreations are a good thing if done right because it can be very dangerous also. If you do something which goes wrong, then people probably won't like it because they are attached to that old version of the song... So, recreations can be a little tricky.

I started crying, because there's nothing like hearing that the artist who originally did the song likes your version.

These days music composers are singing themselves or making other male artistes sing. It is very tough to find a female single in a movie album and even if it is, it is just a female version of a song sung by a male artiste.

If you put a demo on the net and people say it was the finished version then they're going to say it sucks. I really hate that.

I use iTunes for downloading music, but I always decline when prompted to update this or that new version.

Well, I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.

There is a lot of interest in the arts, music, theatre, filmmaking, engineering, architecture and software design. I think we have now transitioned the modern-day version of the entrepreneur into the creative economy.

So I did 'Something Happened on the Way to Heaven' and the original version is a ballad. The original Phil record is uptempo but we slowed it down and made it a ballad.

I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.

When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.

I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.

When I was a 7-year-old girl, in my bedroom, on my karaoke machine, I would sing 'On My Own' or do a one-woman version of 'Les Miserables.'

Years ago, I was performing, and people kept calling out for 'Puppy Love' and I just didn't want to. Then I thought I'd have some fun, so we did this insane heavy metal version of it. The applause was polite.

Tired and old, they kept on existing, against the grain, simply because they were too weak to die, because death could only come to them from the outside: strains of music alone can proudly carry their own death within themselves like an internal necessity: only they don't exist. Every existing thing is born without reason, prolongs itself out of weakness and dies by chance.