Quotes About Music

And so many of the kinds of labels you get stuck with don't really tell the story; Progressive, Art Rock, Noise Music, Downtown - it ends up being a struggle to stay out of debates that other people are having around you.

I still do lots of gigs where I'm the support act and people are chatting through my set, but I've got better at grabbing attention. I mean, my parents would play on bills with people like Judas Priest and get booed all the way through. But they stuck it out, got tough.

I almost became a music major, but somehow I was so enthralled with the camera and becoming a director that I stuck with film school and theatrics.

My stepfather had an electric guitar. He went to his pawn store one day to get a guitar and an amp, and I couldn't understand what I was hearing. All afternoon, I just sat against the amp and let it reverberate through me. Something must have stuck.

There are a billion songs that I've heard and said, 'I don't even care to have an opinion about it,' but if I have to hear a snippet of the refrain of 'We Are Never Ever Getting Back Together' once, it'll get stuck in my head, and that drives me crazy.

I'd hate to have to leave music, but if I got stuck some place, I would.

My strongest audiences are in Germany and France - they stuck with me through my dark days in the '70s.

My music is a direct reflection of the eclectic person I am. I don't like to be stuck in an R&B box.

Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.

The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.

Whenever it was spring break, someone would always have a guitar down at the beach, and they'd play a random song, and I'd sing. Eventually, hearing compliments from people saying I sounded pretty good stuck with me.

I'd say that 98 percent of the bands we've played with through the years have either broken up or are stuck in some kind of '80s revival now.

I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.

When I heard my first rap song and figured out what that was, I kind've stuck to it. I always wanted to be a musician in general, an entertainer. I just started rapping. I never decided, 'Oh, I want to be a rapper.'

When we first started, I didn't know there was Christian rock or Christian music. I just thought we were a rock band that stuck to our convictions... Like every other hardcore band out there sang or screamed what they thought, we did the same thing.

There's nothing worse than being stuck with a bad song.

Music draws me in. As soon as I hear it, I'm there. I'm stuck in it.

From my experience, I've been honest about who I am and what I believe and the motivation behind my music. But I've played it in arenas that are for all people. I've pretty much stuck to that model my whole career.

I've definitely seen huge shifts, but the church is a little afraid of hip-hop, and hip-hop is a little afraid of the church. It's a weird middle area I'm often stuck in.

I'm still stuck in the '90s in a lot of ways.

One of the instruments that really stuck out to me was the talking drum, which is basically the first type of communication device. It's a drum you put on your shoulder, and you can pitch it with your arm, and you can 'talk' with it.

A lot of our fans have grown up, but they've stuck by us for the songs that dig a little deeper.

One of the most memorable and frightening things when I was four or five was Kate Bush doing 'Wuthering Heights.' She did it outside, in a forest, and she did this thing where she looked straight into the camera, and it's the most frightening thing for a kid to see, but it just stuck in my head.

In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn.