Quotes About Music

The poet George Gordon, Lord Byron, said of women, "They ought to mind home, and be well fed and clothed, but not mixed in society. Well educated, too, in religion, but to read neither poetry nor politics—nothing but books of piety and cookery. Music, drawing, dancing, also a little gardening and ploughing now and then.

We don't speak at night anymore, but she's left me her legacy nonetheless--a love for the sea and the smoothness of pearls, an appreciation of music and words, sympathy for the underdog, and a disregard for boundaries.

like it when I hear this process called "montage." It seems to convey the hope that the whole will add up to even more than the sum of its parts. Film is visual music. It's put together with more than logic and announces when it's right. Many a performance can be made or destroyed by what is left in or cut out.

TWO THINGS HAVE ALWAYS SAVED MY LIFE: READING and singing. Books and music have comforted me, informed me, helped me define myself. It's impossible to overstate their importance to my mental health, spiritual sustenance, and survival on the planet.

Leo was reciting from the album covers: "Cyndi Lauper, Pat Benatar, Huey Lewis, Paula Abdul? This is like a bad MTV segment of 'Where Are They Now?'" "More like, guess who joined the Columbia House Record Club

Leo was reciting from the album covers: "Cyndi Lauper, Pat Benatar, Huey Lewis, Paula Abdul? This is like a bad MTV segment of 'Where Are They Now?'" "More like, guess who joined the Columbia House Record Club when she was

There's always music," he replied, "if you listen carefully enough.

Four kids in T-shirts and jeans jam on a powwow stage. They're grinning, bouncing, fully engaged with their music, each other, and the relaxed crowd. I'm splitting fry bread with a cousin as we cheer on the band, and across the tent, a young girl reading a paperback catches my eye. In that moment, I wish for more characters like those kids in the pages of children's books. This anthology is a fulfillment of that wish.

events. First, just after I sat my finals at art college, the boys' breakthrough arrived: after almost two months of agonising, they heard that George Martin wanted them to sign a contract with Parlophone Records. We

John had told the other Beatles he was breaking up the group, prompted, apparently, by the chaos at Apple.

Even after everyone had gone home, the house was filled with the good time they'd had, as if it could linger in the air like the voices and music lingered in memory. Mina wrapped the memory up and put it in her heart; there was a quiet gladness, deep like a tree and tall in her

There was no castle. You were simply listening to a record. A needle, swaying lightly on a black frozen pond, Led the voices of dead poets out into the sun.

There are very few people in the world with courage enough to admit that they do not care for music (dogs and children come into the same category) and so brand themselves forever as Philistines in the eyes of their friends.

When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.

On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.

I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.

The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.

A sketch should be about two to three minutes, which is basically what most songs are. They're usually done by groups. Good examples of each build and have different parts and twists in them. I guess sketch would be the comedy version of music.

My version of lip-synching is singing full-out with the track.

Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.

There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.

I got introduced to Maps by my label, and I liked his sound. I had been living with the original version of 'Younger' for quite a long time when I heard the result of his remix, and I loved it. It actually made me find a new love for the track.

I tried to make a 'When Doves Cry' in a rap version. I used a lot of instruments and I broke it down like I thought Prince would do, and that's the song I sent to Big Boi.

I like to come up with lots of different sounds. So the final version of a song might have been 10 completely different songs before we finally got it right.