Quotes About Music

And my goal in life is to give to the world what I was lucky to receive: the ecstasy of divine union through my music and my dance.

It pains me to watch the human suffering taking place in the gulf region of my country. I will be reaching out to others within the music industry to join me in helping to bring relief and hope to these resilient people who have lost everything.

Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.

And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.

You always have in the back of your mind that would be cool if you get recognized. But you can't concentrate on any of those things. You've got to just keep playing and doing your music and the rest is just a bonus.

there music's so good, even if you take as directed it

If architecture is, as is sometimes said, music set in concrete, then football and basketball may be said to be creativity embodied in team sports.

Waiting on God is hard when you are dispirited by illness. But part of waiting on God, learning to be passive in a way creative for your inner life, is not a question of thinking about God, but of growing in stillness. It has to do with prayer, and with music or from the simple contemplation of the world about you.

My first sale was of a record review of Pink Floyd's The Final Cut that was in 1983. My first national sale was with science fiction writer Frederik Pohl for the magazine Starlog in 1993. My first book was published in 2003, Giants of the Genre (Wildside Press)

Night falls over Machu Picchu to the sound of Abba's 'Dancing Queen'.

A whole genre of rock, called math rock, is based on using complex time signatures, such as 7/8, 11/8, 13/8, and so on, in order to break away from the 4/4 time that's the standard in rock.

The first orchestral leader to use a baton was German conductor Louis Spohr, in 1820. Prior to the use of a baton, conductors often tapped a staff on the floor to demonstrate the beat — a practice that led to the death of 17th century French composer Jean-Baptiste Lully, who stabbed himself in the foot with his staff and subsequently died of gangrene.

However, even the healthiest human heart skips a beat now and then, and so does music.

There are a lot of unanswered questions about ancient music, not the least being why so many different cultures came up with so many of the same tonal qualities in their music completely independent of one another. Many theorists have concluded that certain patterns of notes just sound right to listeners, and certain patterns don't. Music theory, then, very simply, could be said to be a search for how and why music sounds right or wrong.

The purpose of music theory is to both explain why something sounded the way it did, and how that sound can be made again.

I view life as a learning experience. It is not so much all about music it is about what happens when you are doing the music.

He bought her a pretty music box with a picture of the castle in winter painted on the lid, and she slept on his shoulder on the train ride home.

And where jazz music was concerned, there was a saying, Segodnia on igraet dzhaz, a zavtra rodinu prodast: Today you play jazz, tomorrow you betray the motherland." Igor,

They were the younger guys playing at the end of the Swing Era, just playing their version of it. It became known as bebop, which sounds esoteric, but it was really just an offshoot of swing music." That offshoot, however, almost instantly changed jazz music's identity, advancing it from a danceable idiom played with the audience's casual listening pleasure in mind to a more personal and cerebral modern music.

Later, there were several great white players, as there are today. But when it first matured, it was a black instrument. The saxophone was outside the system and the Negro was on the fringes of society. Together they found their voice." Evoking

researchers have conducted more than a hundred studies that explore music's ability to evoke in the listener the five "basic" emotions—happiness, sadness, anger, fear, and love/tenderness, which appear in musical scores as, respectively, festoso, dolente, furioso, timoroso, and teneramente—or the hundreds of subsets of those emotions.

Consider this, music is a collection of sounds and silences, if music was just a constant sound, it would be horrible and difficult to listen to, if music was just silence there would be nothing to listen to. In fact, rests could be easily compared to punctuation, if we ignored commas and full stops then reading and indeed speaking would become chaotic.

Along the way, he published a novel about the music business with the title Sweetie Baby Cookie Honey.

Emotion, a fundamental aspect of musical experience, is an important theme for this book. Charles Darwin taught us that emotion is something we share with animals. It is an inter-species umbilical cord back to Mother Nature.