Quotes About Music

That's what records do: represent a compressed, heightened version of the sound. Because of the compression of the tubes and microphones and the wax, it's magic!

The CD is now the wax album and so it is a collector's item for people who collect music and love to look at the liner notes and feel paper. I don't know what would turn them on about having to go through that terrible exercise of trying to open the packaging - it's unbelievable when you're trying to open a CD, right? You need a box cutter .

It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.

In my opinion, the only way to conquer stage fright is to get up on stage and play. Every time you play another show, it gets better and better.

Old music is the same as new music - it's just a different way of delivering it.

Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.

The thing about hip-hop today is it's smart, it's insightful. The way they can communicate a complex message in a very short space is remarkable.

The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.

Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love. Musically, I'm always finding my way home.

David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.

When I was younger, I'd be walking down the street and suddenly panic because I had a cool idea and no way of getting it down - I'd have to sing it all the way home. Now I can hum it into my phone.

I've worked with Lil Wayne and Wiz, but I'd like to work with Snoop next. I love 'Paid tha Cost to Be da Boss' and 'Doggystyle' and pretty much anything he puts out. And Ice Cube - like, all the legends.

This is going to sound ridiculous, but I read in an interview with Lil Wayne that he recorded a mixtape of something like 50 straight minutes of him rapping all of his material because he felt like he could never move on to the next phase of his musical exploration if he didn't get it down on tape.

I only listen to Lil Wayne.

Early on in my life, I got two older brothers; we used to listen to Eminem, 50 Cent, Lil Wayne.

When I was still back in Cameroon, because I didn't know English, I used to listen to French rap all the time and then a little bit of American hip-hop. And then, when I got to the States, that's when I really got into all those guys - Lil Wayne, Rick Ross, all those guys.

Lil Wayne makes good music. He's one of the best rappers.

You can say that Wayne Coyne sounds like Neil Young.

I said I'd do a 'Shotta Flow 6' featuring Lil Wayne. That's the only way I'd come out of 'Shotta Flow' retirement if Wayne hop on the 'Shotta Flow.'

I was a real big fan of Lil Wayne when he first came out.

I've got a superstar like Usher singing bachata, a tune featuring Lil Wayne. I'm offering people more than just bachata. That captures a new audience that would listen to bachata because Usher is singing.

When I first started rapping, I used to just jock Jay Z super hard. Back when I was like 14 and 15, it was, like, Jay Z, Ice Cube, and Lil Wayne.

Lil Wayne, that's my brother. Birdman, that's family.

I listened to a lot of Jamaican vibes growing up. A lot of Bob Marley, Shabba Ranks, but also, Lil Wayne and Tupac.