Quotes About Music

We cannot afford to have lies in music.

We're incredibly excited to be launching Communion in America, where not only are there literally thousands of excellent musicians that we want to promote, but it's also a country full of passionate music fans that we want to feel part of the Communion experience. It's a massive deal for us to expand, and we cannot wait to get cracking.

I only hope that one day, America will recognize what the rest of the world already has known, that our indigenous music - gospel, blues, jazz and R&B - is the heart and soul of all popular music; and that we cannot afford to let this legacy slip into obscurity, I'm telling you.

The Italians are very unmusical. If I go to a Protestant church in London or Amsterdam or listen to a black choir, I hear four-part harmony. Italians could never do that. In Italy, we all have to sing the melody because we cannot harmonise.

We are all human, and we are all able to listen to music that we cannot understand. I used to listen to English music like Notorious B.I.G., and I didn't know what he's talking about in all of his tracks, but I'm a fan. It's rhythm and a groove that makes me dance, so I'm convinced that my music can work in the U.S.

An evil fate has deprived me of the full use of my right hand, so that I am not able to play my compositions as I feel them. The trouble with my hand is that certain fingers have become so weak, probably through writing and playing too much at one time, that I can hardly use them.

My chops have always been sort of weak, because the right side of my body was paralyzed a little bit. It was very limiting. I have to design stuff I can play, and it took me a year and a half to figure out how to hold a guitar pick.

I used to sing SWV's 'Weak' every day when people would ask me to sing.

I had never really co-written. I thought it was weak or something if I needed to collaborate.

I try to listen to all music with an open head, a clear head, try not to say just because I don't know it, it's weak.

Most people know Serge Gainsbourg's 'Histoire de Melody Nelson' album, but what's interesting is that in the early '90s, he actually went into a dark, weird phase that French people don't really like. They consider his music from that time weak. But for me, it's the best.

I have gotten nothing but love since I was diagnosed from the whole metal community. I guess that is true about both David Lee Roth and Eddie Van Halen. David was very kind to me especially when I was limping and falling and when my hands started getting weak.

I can be anything I want when I do an album. I can be vulnerable, I can be weak, I can be nasty, I can be strong, I can be good, I can be bad. They're all in there - but in society you don't get to use all these personalities because you're trained.

Production-wise, 'Looks Like a Job For... ' is an incredible album. I think that the weak point of the album was really me.

I am exceedingly lucky that my voice, along with perfect pitch and perfect rhythm, was given me at birth.

I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.

It's really hard to write personal songs. I'm not good at writing ditties because as far as writing hit songs that you pitch to the national artist, I just don't write that way.

Perfect pitch is genetic. It's 100% genetic.

I like it when adult straight men are big fans of 'Pitch Perfect!'

When I was in college and reading music and doing ear training, I was a little more advanced than the other people in my choir classes. So to entertain myself and kind of annoy the friends around me, I would sing just under the pitch or just above the pitch.

If someone pitches me a really great idea for an album, I would do it.

You know, I get a lot of people pitching songs to me.

I listen to Zedd or Tiesto. I like listening to that type of music before I'm pitching.

I think one of the pitfalls of doing your own music is that sometimes you can never be satisfied with it: you're afraid to say that it's done, and you keep reworking it or re-recording it or re-writing it.