Quotes About Music

I loved a lot of different kinds of music, but for my own thing, I went for the singer-songwriters.

You got to look the part. You have to look like all the successful rock bands look. This is what they do. That's never been us. You know, it's a hard game to play: at the end of the day, we are just a rock band and have so many different cultures of music that we have grown up on, because we are fans of all different kinds of music.

I enjoy being able to do different kinds of music, not just to be eclectic but because those are all a part of me.

I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.

I'm very lucky my parents were into different kinds of music.

I'm taking a lot of my favorite artists, different people, my favorite music and marrying that with what I do as a comic. It's very collaborative, arty, fun and cool.

The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.

I used to look at composing music as problem solving. But as I get older, it's not about problem solving anymore. There are no solutions, because there are no problems. You just turn the tap and it flows out.

I'm the kind of performer who gets lost on stage. I can tap into this soulful haze.

Tap dancing is all about the feet; you put your head down and don't really engage with anything but the rhythm in your head.

New York has a deep culture of house and dance music, and to be able to tap into that is my way of shutting off. I go to friends' parties and local spots around the area: places I can go to, have a dance, and forget about being an actor and the attention.

I took tap classes growing up.

I saw music as a way to entertain people and take them away from their daily lives and put smiles on their faces, as opposed to what I see it being now, which is a way for me to actually communicate, and a way for me to tap into my subconscious.

I remember once, years ago, I met Sting, and he told me that he had seen 'Spinal Tap' 50 times. He said: 'Every time I watch it, I don't know whether to laugh or cry.'

Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.

In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to get this low-level feedback, and if I leaned forward, and the guitar hung off my body, it would resonate differently.

If you remix, people want to tap into your sound. If you keep that to yourself, it makes the sound more special.

I may have a little bit of a talent for music, but I've learnt to tap into my own self when I write. When I put the drill bit inside my heart, sometimes I come up with something light and frothy, sometimes with something deep and painful, but it's great to connect with the audience.

I'd like to be able to tap with my action this low without buzzing.

I was in the pilot for Spinal Tap before it was a movie.

I would listen to something on the radio and try to tap out the melody, then the harmonies.

I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.

When you find real jazz on the radio dial, it comes in all static-y. It's just like tap dancers. You have to go uptown to find the real hoofers. We only come to midtown if we're called upon.

I liked tap, because I liked hearing the results of my movements.