Quotes About Music

I was never one of those teenagers who sang into their hairbrush.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

I used to daydream in class about what it'd be like to be a singer. It's what I wanted to be ever since I was little, but I never knew if it'd happen or not. I was just a normal girl who was doing all the things teenagers do, but on the side, I was attending music camps and going to songwriting sessions.

I love it at our shows when there's the big, tough, punk guys standing next to the weird teenagers and the gay guys. It's so weird, and it's so awesome.

When I was in high school in the '50s, all pop music - Elvis, Chuck Berry, Little Richard - was aimed at teenagers. I loved that stuff.

I think looking at the front row of a Chvrches show is really diverse. It could be 50-year-old dudes who love Depeche Mode or teenagers or teenage girls and their dad.

I play in Metallica, and I have fun in Metallica. I tell you, I am the luckiest man on the planet because we have a good time and we're happy. When we put on our guitars, we're teenagers again, and that's where the fun comes in.

We asked people why they didn't go to MySpace. A lot of people thought it was too hard to use, they thought it was a music site, or a content site. Privacy was a concern, or they'd say it was a site for teenagers.

As teenagers, we used to listen to entire Rush albums, entire Pink Floyd albums and shut down the lights and it was great.

That's my boy; me and Webbie been together since we were teenagers. Since I was 15, 17 years old, we been in the studio together. We from different hoods, but we been in the studio together, you know. Basically we like brothers.

Parents ought to try to learn the language teenagers speak, and they ought to listen to teenage music.

Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.

In my early teens, I started collecting soundtrack albums.

Starting in my teens, I was always standing on the corner near our apartment singing harmony with friends. We'd also go to the park and sing under the bridge near the lake for the echo. When it was cold out, we'd stand in the little heated lobby in the project's administration building, where my mom paid the rent each month.

I was given a horn at an early age. I never really got a chance to think about doing anything else until I was about 18, when I realized I could do something else if I wanted to. In my teens, I was rolling in it.

When my son was in his teens, he was a really fine drummer. He was asked in an interview if he would consider going into the business. And he said, 'Why would I ever go into the business that took my mother from me?'

I started playing guitar when I was in my late teens, and within two years I was starting to play shows.

Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.

In my late teens and early 20s, I started selling mix CDs on the street.

It wasn't until my late teens that I really got into soul music and then I was like 'Ooh, this is good!' You'd always here it at old family parties, like, Gladys Knight and I'd always love it but I didn't really get to know it and respect it until I was a bit older.

I was a harpsichordist in my teens, and there was a bunch of us in Liverpool who got together every week to play Bach.

We were teens in the Eighties, and that's the kind of music that we all grew up on. When you're in those really formative years, from, like, 13 to 19, what you listen to is so influential, and I think that's just part of our being now.

Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.

By the time I was in my teens, I was listening to Delta blues and jazz.