Quotes About Music

The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?

Some people train for certain sports and I want to train to be able to hold a super heavy electric guitar and carry luggage around myself because I always have to have 7,000 pairs of shoes. Who cares about sports?

I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.

It's certain rappers that can really rap, that really spit all bars, so I understand why someone would say, 'You not a real rapper.' But the main thing is, if you can make good songs, who cares? So I don't know why guys be tripping on Drake. He makes great music. He's dope.

It's a dying art to play live anymore and just play raw. Who cares if you make a mistake? That's punk rock. Just go out and go for it and make some noise.

People bashed Drake based off the fact that he didn't suffer. Who cares! Do you like the music or not?

For some reason, people don't want to see a girl onstage. Whether it's a girl or a guy, if you like the music, who cares?

Everybody seen me talking to Frank Ocean, so they know something is coming, so something is coming with Frank Ocean - just wait on it - and, you know, people were just like, 'Whoa, Rich the Kid found Frank Ocean!'

The first album I was given when I was quite young was the 'Whoa, Nelly!' album by Nelly Furtado. After, I also got the 'Missundaztood' album by Pink. That's when I was like, 'Oh my God, I want to be just like them!'

As far as hip hop, I ain't even gonna front, it was 'Rapper's Delight.' That was the first thing I heard where I was like, 'Whoa.' You take that beat and do something over it. I started collecting records after that, old records.

I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.

I first started going to shows when I was about 16 - seeing local bands. I mean, I loved music before that, and I played a bit of guitar when I was younger and thought maybe I'd become a guitar teacher or something, but when I saw other kids doing it, I was like, 'Whoa, these are great bands! I can do it, too.'

I'm really sick of anthems. Every song has to be a very big singalong thing - it feels very Eighties. There are a lot of 'whoah whoa whoahs,' this stadium thing. You're even getting that from some of the 'folk' groups. I can't stand it.

We had a music teacher in sixth grade, and I saw her tune her guitar. I said, 'Whoa. There's a certain way to do this.' I bought a packet of strings - some of mine were broken - and had her tune it for me. For a while, I just kept it like that. But I got the Internet finally, when I was 14, and started learning.

I would be criticized, like, 'You don't talk Korean enough. You sound very American. You sound very white in your music.' And I'm like, 'Whoa.'

I think, in the middle of the '90s, I made a couple of records where I tried to figure out what I thought the radio wanted from me. They weren't my best records by any stretch of the imagination. It didn't take me too long to figure out, 'Whoa, back up, dude. Just go back to following your heart, and it will all be OK.'

I play like I always used to, with no agenda. And, every once in a while, I will play something I really hadn't thought about or even intended to play. And I'll go, 'Whoa! What was that?'

When the Mondays split up I looked at the others who'd rather sign on the dole than work with me and Bez, and thought: 'Whoa, you're gonna throw this opportunity away and maybe never work in music again?' There was no way we were doing that.

Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.

I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.

Whoever heard of an electric violin, electric cello or, for that matter, an electric singer?

You can be whoever you want to be when you are writing songs.

My music is colorful. The intention for it is to be good for whoever's listening to it, and my style is good for me.

What we used to say was whoever had the bow tie got to lead the band. There was never any jealousy.