Quotes About Visuals

I love the medium of film.

Movies are an editor's medium.

Films work due to scripts, characters, and what you see on screen.

I love reading different scripts and helping create different looks, different environments. Sometimes you go to meet a director over a particular script, and they'll say, 'I want you to do this because I want it to look like Shawshank,' and I'm like, 'Well, I'm not that interested in doing that again.'

A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.

Doing graphic novels is cool! It's fun! You get to write something, and then see it visually page by page, panel by panel, working with the artist, you get to see it fleshed out.

The murals in restaurants are on par with the food in museums.

I don't hold much of care for 3D. I think it's a passing fad. It came and went in the '60s. I don't see what it adds to the story.

There's so many things about Babymetal you cannot just grasp with the sound. The visual has to compliment the sound, the costumes have to compliment the sound.

I've done my own videos, I do my own styling, so I feel like I've just always been a visual artist... I was one of those kids who wanted to make my own clothes and take pictures of everything. Everything inspired me, and everything felt like art around me.

You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.

Visual elements are, of course, the director's job.

I couldn't do a record without knowing I'll translate it into something visual.

We actually make all of our own music videos. Often we come up with the visual concepts at the same time as writing the music.

You don't have to understand Korean to understand the music, the visuals, the vibe.

You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.

If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then it is good.

It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'

As much as I love creating entertaining visuals, I love toying with the pace of a movie and trying to perfect that. It's imperative to the impact: faster cuts, cuts at the right moments that meld with the tenor of a scene. Creating and maintaining that feeling.

Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion.

Even if it's a song I know isn't gonna do that well, I'm dropping it as a piece of art, so I always want sick visuals to go with it.

I feel it's my job as the artist who is making the music to pair it with visuals that I see in my head while writing the music in the first place.

In a silent film, the visuals are of utmost importance.

I went in and read for 'Maleficent,' and it was hard to get a concept of what the imagery would be like. So you have a hard time seeing how you'll fit in to the movie through the visuals.