Quotes About Making

I try to be respectful about getting an honor or recognition, but I don't really know what the Rock Hall actually is. In my experience with the people who run it, I don't see it having to do with anything other than them making money.

I just continue to look for different material, great material, as good as I can find, and try to go in there and do as good a job as I can do in making it a record. That's all you can expect. That's all that you can do.

I was bartending when I recorded 'Same Love,' and when it was on the radio, too. I remember overhearing people talking about the song while I was making them drinks.

I'm just concerned with going about my business and making the records I want to make.

I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.

I learned analytics. It's a point of reference, of information. It has to be a factor in decision making.

We're trying to make the music service a cultural point of reference, and that's why we're making video. We're making video for our Apple Music customers and our future customers.

I'm quite handy with a screwdriver. I like making and fixing things.

I had to make a living, so I got happily diverted into writing about expeditions and adventures.

I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!

Mrs. Wood was indeed making pies. She was taking the third pie out of the oven. When she looked up and saw

I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.

Both my parents were working-class and had dreams of making the world a better place. It's pretty powerful, being able to reflect back their beliefs.

There was nothing about 'The Killing' that patronized its audience, and it was quite slow and detailed, all of the things which, for a long time, people had been nervous of making.

I'm no stranger to making timeless music.

An important instrument of economic policy-making in a market economy is credible, consistent, and timely communication.

I just saw 'Tiny Furniture' and became so obsessed with it that Judd Apatow jokes that I'm the distributor of it. I was making copies and giving them out.

A pitfall of making a comedy with a studio-and it's also an American cultural thing-is that I get tired of being encouraged to go always for laughs.

When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.

In a film called 'Senna,' the clue is in the title, and we have a Brazilian badge on our sleeve as we were making it. We were making it from Senna's point of view, with Senna narrating it.

The realm of making microbudget stuff will always be totally in our control. Most of the time, we just pay for those out of pocket. Then there is stuff that's too expensive for us to pay for, and we want partners on, like 'Togetherness' and 'Animals' and some of our original Netflix movies.

I've been making the best movies at Elegant Angel since Tom Byron left.

You have more chances of giving birth to a live hippopotamus," said Requin, "than the best thief alive has of making it past the cordon drawn around my vault.

My job has me traveling all the time, and I got this house, so my downtime is spent sort of making a home. Every year it's different, and I try to do things that are more fulfilling.